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A Crimson Cosmos

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Recensione album

Sometimes heavier, and generally more traditionally structured, Lake of Tears' third Black Mark release A Crimson Cosmos, turned out to be the band's breakout recording. In Europe (where the Lake of Tears brand of dour but traditional metal never fell completely out of favor), critics and fans finally began giving some respect to the group and their rapidly improving sound. Songs like "Raistlin and the Rose" and "Cosmic Weed" are some of the most musically satisfying efforts from the band. But strange numbers like the curious and hokey "Lady Rosenred" and other singalongs, like "Devil's Diner," almost go too far. After starting out with a debut marked by its aimlessness, the turnaround of Crimson Cosmos — released just four years later — is profound for sure, but not always comfortable. A continued improvement on the Lake of Tears sound, this 1997 release signified the beginning of a new musical chapter for the band that while imperfect, represented real improvement as well.

Biografia

Formato(a): maggio, 1992, Boras, Sweden

Genere: Rock

Anni di attività: '90s, '00s

Lake of Tears first came together in 1992 when Daniel Brennare, Jonas Eriksson, and Michael Larsson left the death metal band they were playing in and hooked up with Johan Oudhuis. They recorded a demo in early 1993 which caught the attention of Black Mark Productions, who signed the band soon after. Their debut, Greater Art, was released in 1994, followed quickly by Headstones the next year. The band began to tour through Europe, losing guitarist Eriksson in the summer of 1996. They recorded a third...
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A Crimson Cosmos, Lake of Tears
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