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Dance Me to the End of Love

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Recensione album

With 19 songs and nearly 70 minutes of music, this ranks among the Klezmer Conservatory Band's most extensive releases. Incorporating an eclectic range of influences, from Russian waltzes, Romanian Bulgars, and klezmer swing to traditional Jewish wedding tunes and a Leonard Cohen cover, a careful effort is made to preserve the legacies of those who came before them. With 11 members, they can certainly create a massive sound, though the collection is well balanced between roaring boisterous tracks and more somber, stripped-down pieces. However complex their sound may be, it certainly isn't cluttered, as "Skotshne #60 a la Merlin" and "Bukharester Bulgar" are only a few of the precisely crafted renditions here. More than anything, what comes through is a band that truly understands and enjoys recreating these highly evocative songs, as they beautifully portray the past struggles and joys of their cultural heritage. All in all, this band has ample room to spread out over the course of the disc, and you get to an authentic look at what the best band in klezmer has to offer.


Formato(a): 1980

Genere: World music

Anni di attività: '80s, '90s, '00s

The centuries-old tradition of klezmer music, originally played by itinerant Jewish musicians in Eastern Europe, is extended by saxophonist, pianist, and composer Hankus Netsky and his group, the Klezmer Conservatory Band. With songs sung in Yiddish, the band incorporates a wide range of influences into its Jewish dance music. The Klezmer Conservatory Band was formed by Netsky, chairman of the jazz studies department at the New England Conservatory of Music, in Boston in 1980. The grandson and nephew...
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Dance Me to the End of Love, The Klezmer Conservatory Band
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