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Carboot Soul

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Recensione album

Four years on from Smoker's Delight and, fortunately, little has changed for George Evelyn's Nightmares on Wax project. While he could've easily been forgiven for following the nu-beat crowd and inserting a few prescient big beats into the blunted trip-hop formula, it's all clear from the opener, "Les Nuits" (a NoW theme of sorts, repeated from Smoker's Delight), that at hand is a return to form, not a turn away from the trip-hop style that took such a beating during the late '90s. The lazy-day soul samples driving tracks like "Morse" and "Finer" are perfect examples that instrumental hip-hop doesn't have to resort to the usual producer's bag of tricks to make for music leagues beyond the average. There's also a focus here lacking from previous material; fewer interludes make for a more concentrated listening experience. All in all, Carboot Soul is one of the best arguments yet for the continuing development of trip-hop beyond mere coffee table fare.

Biografie

Formato(a): 1988, Yorkshire, England

Genere: Elettronica

Anni di attività: '80s, '90s, '00s, '10s

Originally the combined project of George Evelyn and Kevin "Boywonder" Harper — the latter of whom was eventually replaced by Robin Taylor-Firth — Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was — along with early tracks by LFO, Tuff Little Unit, and Tricky Disco — a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London...
Bio completa
Carboot Soul, Nightmares On Wax
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