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Wonderland by Night

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Recensione album

Wonderland by Night was Bert Kaempfert's first big international success — propelled by the presence of the number one charting title track, a moody, wistful instrumental authored by Klaus Gunter-Neumann that recalled the late big band era, it also reached the top spot on the American charts and became a favorite of middle-brow listeners just getting into the new innovations of hi-fi and stereo. Today it all seems tame, mostly because it was safe retro-pop-instrumental music executed with a great deal of elegance, which overcomes the sappiness of material such as "Tammy." The title track is the most recognizable piece here, but all of the album will sound familiar, pieces like "The Aim of My Desires" and "This Song Is Your Alone" having become the stuff of "respectable" pop-instrumental music — the American big band sound recycled by its German admirers — until the mid-'60s. It all sounds like stuff that you've heard, probably because, if you were born before 1956, you likely did, in those moments when your parents settled down after dinner (assuming that you lived in someplace like the Cleaver household on Leave It to Beaver). But seriously, this is nicely executed, safe, uncompelling but appealing pop music wallpaper from that period when the 1950s were ending but the 1960s hadn't really begun.


Nato(a): 16 ottobre 1923, Hamburg, Germany

Genere: Pop

Anni di attività: '30s, '40s, '50s, '60s, '70s, '80s

Bert Kaempfert had almost too much talent, ability, and good luck rolled into one career to be fully appreciated, even by his own chosen audience, the lovers of fine orchestral pop music. He was one of the most successful conductors, arrangers, and recording artists in the latter field, but was also a major producer and played a key (if indirect) role in the roots of the British beat boom of the early '60s, which evolved into the British Invasion of America in 1964. Berthold Kaempfert was born in...
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Wonderland by Night, Bert Kaempfert
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