Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da Bootleg, Vol. IV: The Soul of Truth di Johnny Cash, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

Bootleg, Vol. IV: The Soul of Truth

Johnny Cash

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Note dalla redazione - iTunes

The fourth volume of Johnny Cash's "bootleg" series features gospel recordings made in the '70s and '80s, many of which have been officially issued over the years. Rarities still make up a decent chunk of the collection, but the main point of the release is to pull together Cash's inspired spiritually-based material in one place. His collaborators inspire him to reach. The Carter Family rally for the upbeat "I've Got Jesus in My Soul," while daughter Rosanne joins them for the country-based "When He Comes" and Rodney Crowell slips in for "He Touched Me." June Carter Cash harmonizes on "Waiting on the Far Side Banks of Jordan." Jessi Colter helps bring out the tragedy of "The Old Rugged Cross." Cash handles much of the material himself, with a nicely restrained approach given to "Wildwood in the Pines," "Never Grow Old," and "What Is Man." Those are three tunes where Cash does what he does best: taking basic melodies and informing them with the weight of the world with a voice as iconic as Mount Rushmore.


Nato(a): 26 febbraio 1932, Kingsland, AR

Genere: Country

Anni di attività: '50s, '60s, '70s, '80s, '90s, '00s

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock &...
Bio completa