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El Silencio

Caifanes

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Recensione album

Having Adrian Belew produce a Caifanes album must have seemed like a great idea, since the Mexican band had a musical attack as accomplished and eclectic as Belew's own work. Unfortunately, the pairing just doesn't strike sparks here. Belew's influence shows up throughout the album, which has more jittery rhythms and odd dissonances than other albums by the band. This works fine on a few cuts, such as the lively "Nubes," but over the course of the album it is a distraction. That sense of musical clutter may also be due to the attempted expansion of the band — Caifanes picked up two new members on this album. The experiment was evidently a failure, because both were gone by the time the band recorded their next album. It is notable that the most effective song, the spooky title track, is the one that has the simplest arrangement. "Vamos a Hacer un Silencio" is an unnerving and poetic attack on censorship, and is such a standout track that the songs before and after pale by comparison. El Silencio is worth having for the half of the CD when things come together, but it is not the best from Caifanes.

Biografie

Formato(a): 1986, Mexico City, Mexico

Genere: Alternativa e rock latino

Anni di attività: '80s, '90s, '10s

A leading light of the Latin American alternative rock community, Caifanes were formed in Mexico City in 1986 by vocalist Saul Hernández, guitarist Alejandro Marcovich, and drummer Alfonso Andre. The group issued their eponymously titled debut LP in 1988, earning some U.S. airplay with the single "La Negra Tomasa." The follow-up, 1990's El Diablito, expanded on Caifanes' sound by further incorporating the influence of traditional Caribbean styles into their dark, synth-driven brand of pop/rock, while...
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El Silencio, Caifanes
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