iTunes

Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da Fill Up the Room di Saturday Looks Good to Me, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

Fill Up the Room

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Recensione album

There certainly wasn't anything wrong with the vintage-pop-with-a-low-fi-twist that Saturday Looks Good to Me perfected over the course of five albums and many, many singles. However, it's also understandable why Fred Thomas would be ready for a change, especially after switching labels and recording studios for Fill Up the Room, and change abounds on the album. The most obvious difference between Saturday's earlier work and Fill Up the Room is that Thomas sings lead on nearly all of the album, and it takes some getting used to hearing his endearingly strained voice on rangy melodies like "(Even If You Die on The) Ocean." But Fill Up the Room doesn't just have a sound that's different from the previous Saturday albums' charmingly lo-fi updates of '50s and '60s pop. This album is, well, filled with different approaches that might not have fit in the past, but make perfect, and perfectly whimsical, sense here. The opening track, "Apple," announces the kinds of changes to follow: a winding, doo wop-influenced interlude, it sounds little like where Saturday Looks Good to Me — or any of Fred Thomas' other projects — have been before. He sounds liberated by the opportunity for change, and some of Fill Up the Room's most exciting moments are the most different. "When I Lose My Eyes"' epic swell and brass flourishes recall the Microphones' homespun-sounding symphonic indie pop drama (which underscores why K Records is such a good fit for Saturday Looks Good to Me). "Make a Plan" struts along on Latin-inspired guitars, telling stories about life's unpredictability, while "Money in the Afterlife"'s streamlined rhythms and skipping, Afro-pop guitar melodies make it a standout. As the album unfolds, Fill Up the Room gets closer to Saturday Looks Good to Me's previous territory, particularly on the sunny pop of "The Americans" and "Hands in the Snow," a bewitching kiss-off song that features Betty Marie Barnes' gorgeous voice caressing clever lyrics like "And I watch you drink invisible ink/So I won't know when you swallow your words." Thomas' ways with melodies and words are still the main attractions on Fill Up the Room, and songs spanning "Edison Girls"' cheery indie pop to the vulnerable, unsettling lullaby "Come with Your Arms" prove that those are constants in Thomas' music, no matter what else changes. Saturday Looks Good to Me fans who appreciated the spirit behind the music as much as its sound will enjoy all the curves Thomas throws on this album. Sweetly willful, cheerfully creative, Fill Up the Room truly is independent pop.

Biografie

Formato(a): 1999

Genere: Alternativa

Anni di attività: '90s, '00s, '10s

Embracing a wildly eclectic variety of melodic influences, Saturday Looks Good to Me is the brainchild of indie pop wunderkind Fred Thomas, who has been the only constant member of the group since its inception in 2000. Saturday Looks Good to Me began as a fanciful project by Thomas (previously a member of Flashpapr and Lovesick) to create a record by a band that didn't exist; with the help of a handful of like-minded friends, Thomas wrote and produced a set of nine songs that drew on '60s pop sounds...
Bio completa
Fill Up the Room, Saturday Looks Good to Me
Vedi in iTunes

Valutazione dei clienti

Non abbiamo ricevuto abbastanza valutazioni per visualizzare una media per quanto riguarda questo album.

Precursori

Fans

Contemporanei