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His Greatest Misses

Robert Wyatt

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Recensione album

The title of this 17-track Robert Wyatt compilation — previously released only in Japan — references his lack of commercial success while taking great care to showcase both his ambitious vision and diversity as an artist. Most of what is here is readily familiar to fans, from his fine if strangely arcane versions of "I'm a Believer" and "Shipbuilding" to the utterly, almost heartbreakingly beautiful "At Last I Am Free," "Arauco," and the starkly ingenious composition "Solar Flares" (previously a rarity). Early gems like "Little Red Robin Hood Hit the Road" are showcased along with later ones like "Heaps of Sheeps." Ultimately, there is nothing really new here, but that shouldn't stop anyone who doesn't already have some version of this collection milling about from picking it up and putting it on a few dozen times in a row. It's guaranteed to change your perception of pop. Besides, the Ryko package — which emulates the Japanese package perfectly — is a stunner.

Biografie

Nato(a): 28 gennaio 1945, Bristol, England

Genere: Alternativa

Anni di attività: '60s, '70s, '80s, '90s, '00s, '10s

An enduring figure who came to prominence in the early days of the English art rock scene, Robert Wyatt has produced a significant body of work, both as the original drummer for art rockers Soft Machine and as a radical political singer/songwriter. Born in Bristol, England, Wyatt came to Soft Machine during the exciting, slightly post-psychedelic Canterbury Scene of the mid-'60s that produced bands like Gong and Pink Floyd. Unlike many of the art rock bands that would come later (Jethro Tull, Yes,...
Bio completa
His Greatest Misses, Robert Wyatt
Vedi in iTunes
  • 8,99 €
  • Generi: Alternativa, Musica, Rock
  • Pubblicato: 05/10/2004

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