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Uplifter

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Recensione album

Now entering its third decade, 311 has cemented its status as a muscled touring machine, capable of selling out venues across the country without the assistance of high-charting singles or current albums. Uplifter, the band's ninth studio release (and first album in nearly four years), is streamlined accordingly, wielding a polished mix of tour-worthy anthems and lighter-hoisting ballads that seem destined to fare better in concert than on record. This is standard 311 fare, stuffed with the requisite flourishes of alternative rock, reggae, and frat boy funk that made the band popular some 15 years prior. Bob Rock produces the rock numbers with a beefy hand — 311 has rarely sounded so heavy before — while allowing the band to retain its sonic calling cards: the heavy chorus effect on Nick Hexum and S.A. Martinez's harmonies, the watery strum of Tim Mahoney's guitar, and the crispness of Chad Sexton's snare drum. Uplifter may be better suited to a concert set list than a stereo, as some of these songs lose their vitality on record. Even so, the album is strong enough to keep the flames fanned, and returning 311 fans should be pleased.

Biografia

Formato(a): 1990, Omaha, NE

Genere: Rock

Anni di attività: '90s, '00s, '10s

311's fusion of reggae and rap-metal was created in Omaha, Nebraska, where singer/guitarist Nick Hexum, DJ/singer S.A. Martinez, guitarist Tim Mahoney, drummer Chad Sexton, and the bassist known only as P-Nut launched the group in 1990. Taking their name from the Omaha Police Department's code for indecent exposure, the quintet began gigging locally and soon moved to Los Angeles, signing with Capricorn Records in 1991. 311 then translated their regional success into national recognition with several...
Bio completa
Uplifter, 311
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