Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da V di Saint Vitus, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Recensione album

Notable for being the final Saint Vitus studio album to feature vocalist Scott "Wino" Weinrich, as well as the band's first recorded for a label other than career-long home base SST, 1989's simply named V was, in most other respects, a typical effort by the long suffering doom metal icons. In other words, much like all of the band's similarly "against the grain" output, its post-Sabbath acid-doom dirges and fuss-free underground metal aesthetics held absolutely zero commercial potential in a fluffy and appearance-obsessed decade like the 1980s. Still, this would have been just fine for Saint Vitus' small but dedicated fan base if not for V's somewhat obvious recycling of old ideas — be it in the "men out of time" message of slow-charging opener "Living Backwards" (remember "Born Too Late"?), or the been-there-done-that feel of competent but familiar-sounding cuts "I Bleed Black" and "Angry Man." The same goes for incredibly slothful entries "Patra (Petra)" and "Jack Frost," leaving only the female-sung "When Emotion Dies" to wander from the beaten path. What's more, Weinrich's ever increasing prominence as an American metal treasure following this album — both as a frontman and lead guitarist of pre-Vitus project the Obsessed, Spirit Caravan, and the Hidden Hand — only makes it more irritating to watch his immense talents go so underutilized here, with his only solo songwriting contribution the inanely named "Ice Monkey." Of course the greatest irony in all this is that, for all its deficiencies, to modern fans too young to have experienced the band way back then — and Saint Vitus most assuredly possess more of those fans than they had during their original existence — V's sense of stagnation will now seem all the more impeccable for retaining its uncompromisingly "classic" sound. Heck, even older fans may be able to grasp this growth in stature when heard through refreshed ears.


Formato(a): Los Angeles, CA

Genere: Rock

Anni di attività: '80s, '90s

One of the leading American doom metal acts of the '80s (along with Trouble and the Obsessed), Saint Vitus was cursed with public indifference throughout their decade-plus career, which both started and ended in frustrating obscurity. Originally formed as Tyrant in 1979 by vocalist Scott Reagers, guitarist Dave Chandler, bassist Mark Adams, and drummer Armando Acosta, Los Angeles' Saint Vitus was named after a medieval boy saint whose beheading and violent death-throes gave rise to the gruesome expression...
Bio completa
V, Saint Vitus
Vedi in iTunes

Valutazione dei clienti

0 0 0 Non abbiamo ricevuto abbastanza valutazioni per visualizzare una media per quanto riguarda questo album.