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In a Space Outta Sound

Nightmares On Wax

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Recensione album

One of the prime architects of the organic grooves later dubbed trip-hop, Nightmares on Wax deserted their early formula in 2002 only when it became respectable and a crossover appeared most likely. With the air cleared of downtempo cash-ins, producer George Evelyn and producer/keyboardist Robin Taylor-Firth went right back to dub-heavy trip-hop with In a Space Outta Sound. Unsurprisingly, Nightmares on Wax remain among the best at constructing simple grooves with endless depths; their only rival is Massive Attack. The centerpiece is "Damn," seven and a half minutes of gently undulating hip-hop courtesy of a reedy Al Hirt sample (familiar from its use by De La Soul) that eventually flowers into an R&B jam with a gospel choir. The other highlight is the hypnotic rocksteady groove of "Flip Ya Lid" with vocals from Ricky Rankin. As with past NoW releases, In a Space Outta Sound boasts an emphasis on sound architecture that requires expensive stereo equipment (or bucket loads of narcotics) to fully appreciate.

Biografie

Formato(a): 1988, Yorkshire, England

Genere: Elettronica

Anni di attività: '80s, '90s, '00s, '10s

Originally the combined project of George Evelyn and Kevin "Boywonder" Harper — the latter of whom was eventually replaced by Robin Taylor-Firth — Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was — along with early tracks by LFO, Tuff Little Unit, and Tricky Disco — a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London...
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In a Space Outta Sound, Nightmares On Wax
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