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In the Aeroplane Over the Sea

Neutral Milk Hotel

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Recensione album

Perhaps best likened to a marching band on an acid trip, Neutral Milk Hotel's second album is another quixotic sonic parade; lo-fi yet lush, impenetrable yet wholly accessible, In the Aeroplane Over the Sea is either the work of a genius or an utter crackpot, with the truth probably falling somewhere in between. Again teaming with producer Robert Schneider, Jeff Mangum invests the material here with new maturity and clarity; while the songs run continuously together, as they did on the previous On Avery Island, there is a much clearer sense of shifting dynamics from track to track, with a greater emphasis on structure and texture. Mangum's vocals are far more emotive as well; whether caught in the rush of spiritual epiphany ("The King of Carrot Flowers Pts. Two and Three") or in the grip of sexual anxiety ("Two-Headed Boy"), he sings with a new fervor, composed in equal measure of ecstasy and anguish. However, as his musical concepts continue to come into sharper focus, one hopes his stream-of-consciousness lyrical ideas soon begin to do the same; while Mangum spins his words with the rapid-fire intensity of a young Dylan, the songs are far too cryptic and abstract to fully sink in — In the Aeroplane Over the Sea is undoubtedly a major statement, but just what it's saying is anyone's guess.

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Biografie

Formato(a): 1989, Athens, GA

Genere: Alternativa

Anni di attività: '90s

The self-described "fuzz-folk" project Neutral Milk Hotel was one of the primary outgrowths of the Elephant 6 Recording Company collective, a coterie of like-minded lo-fi indie groups — including the Apples in Stereo, the Olivia Tremor Control, and Secret Square — who shared musicians, ideas, and sensibilities. While ranging in sound and concept from solo acoustic work to full-band performances, Neutral Milk Hotel essentially remained the work of Jeff Mangum, a singer/songwriter from...
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