iTunes

Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da Isaac Hayes At Wattstax (Live) di Isaac Hayes, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

Isaac Hayes At Wattstax (Live)

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Recensione album

Isaac Hayes was the final act on the Wattstax music festival bill. Although he was the headliner, prior to this collection only the medley of "Ain't No Sunshine"/"Lonely Avenue" had been made available on the soundtrack album. Over three decades on, this appropriately titled release features the entire Isaac Hayes at Wattstax (2003). The show was held at the Los Angeles Memorial Coliseum on August 20, 1972, and also included contributions from Eddie Floyd, the Staple Singers, Rufus Thomas and daughter Carla Thomas, as well as William Bell, Jimmy Jones, Albert King, and others. By the time Hayes hit the stage the crowd had swelled to over 112,000, and along with his righteously funkified Isaac Hayes Movement, the Black Moses of Soul delivers one bad mutha of an hour-plus set. After a spirited introduction from Rev. Jesse Jackson, the band leaps headlong into a note-perfect and hard-driving version of "Theme from Shaft" — complete with orchestration conducted and scored by the terminally funky Onzie Horne, who would also work on Hayes' Live at the Sahara Tahoe (1973). Another Shaft soundtrack inclusion follows with the bleak social balladry of perpetual urban sprawl dubbed "Soulsville." The performance continues with a handful of the best tracks from Black Moses (1971) and includes a slinky and stirring reading of "Never Can Say Goodbye," which he dedicates to "all the lovers who quarrel...sometimes...all the time...and to the lovers who say they never quarrel at all." The fluid wah-wah fretwork of Charlie Pitts is complemented by Emerson Able's soaring flute and Gary Jones' laid-back conga inflections. Sadly, "Part Time Love" is presented sans lead vocals, as the master tapes are either missing or irreparably damaged. However, clearly audible in the appropriate locations are the female backing vocal trio known as Hot, Buttered and Soul. They also add counterpoint to Hayes' spoken introduction rap on the languid "Your Love Is So Doggone Good." While the centerpiece is undoubtedly the quarter-hour "Ain't No Sunshine" and "Lonely Avenue" combo with a wailing sax solo from Hayes, not far behind is the tormented angst of "I Stand Accused." In terms of sheer emotion, it is hard to beat his wrenching vocals as he throws himself into the song to a degree not delivered on the Isaac Hayes Movement version. This disc concludes on an inspirational note as Rev. Jackson returns for a rousing invocation and prayer along with Jimmy Jones, who leads a gospel-fueled rendering of "If I Had a Hammer."

Biografie

Nato(a): 20 agosto 1942, Covington, TN

Genere: R&B/Soul

Anni di attività: '60s, '70s, '80s, '90s, '00s

Few figures exerted greater influence over the music of the 1960s and 1970s than Isaac Hayes; after laying the groundwork for the Memphis soul sound through his work with Stax-Volt Records, Hayes began a highly successful solo career...
Bio completa
Isaac Hayes At Wattstax (Live), Isaac Hayes
Vedi in iTunes

Valutazione dei clienti

Non abbiamo ricevuto abbastanza valutazioni per visualizzare una media per quanto riguarda questo album.

Fans

Contemporanei