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No Stranger Not At All

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Recensione album

A strong and intriguing debut, No Stranger Not at All presents Gisburg's beautiful, versatile voice in settings ranging from wordless vocalizations to spoken word battery. The Austrian singer/composer steps into a wealth of styles over just ten tracks, presenting a healthy musical curiosity and talent. The title track is a jazz cymbal ride softened by Jeff O'Malley's subtle narration as Gisburg contributes breathy voice work. "Imaginary Movielandscape 1" is the first of her music for imaginary movies, with an erhu solo that carves out a theme for the voice and bass to move through, harmonizing. "Jawohl" is a particularly cutting piece: an mbira accompanies voice, juxtaposing high, whispery notes with words drawn from the text of Primo Levi's Survival in Auschwitz, which are delivered in emphatic bursts of spoken German. "Opening" and "Fruits" are based around experiments in non-repetition, while other tracks draw influences from the tango and Indonesian gamelan.


Nato(a): 1966, Salzburg, Austria

Genere: Alternativa

Anni di attività: '80s, '90s

Vocalist and composer Gisburg was born in Salzberg, Austria in 1966. She studied flute there before moving to Berlin in 1985. While in Berlin, Gisburg had a vocal duo (Alliin Gaa) with Anna Clenti, and performed in Dieter Schnebel's ensemble. She moved to New York in 1992, and since then, has worked with Anthony Coleman and Roy Nathanson for the Knitting Factory label, and with cellist Michelle Kinney. Gisburg also has three releases as a leader...
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No Stranger Not At All, Gisburg
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