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Recensione album

Altoists Jackie McLean and John Jenkins previously shared equal billing with Phil Woods, Gene Quill, and Hal McKusick for the album Bird Feathers, on which the saxophonists paid tribute to Charlie Parker on Parker's blues "Bird Feathers" supported by the fine boppish rhythm section of pianist Wade Legge, bassist Doug Watkins, and drummer Art Taylor. McLean, Jenkins, Legge, Watkins, and Taylor also recorded the five tracks here heard on Alto Madness at the same May 3, 1957 session that produced "Bird Feathers," and they continued the tribute to Parker in practically every phrase they played. McLean became much more individual within a few years, while Jenkins would fade from the scene altogether. This likable jam session features plenty of tradeoffs by the two altoists.


Nato(a): 17 maggio 1932, New York, NY

Genere: Jazz

Anni di attività: '40s, '50s, '60s, '70s, '80s, '90s, '00s

Jackie McLean has long had his own sound, played slightly sharp and with great intensity; he is recognizable within two notes. McLean was one of the few bop-oriented players of the early '50s who explored free jazz in the '60s, widening his emotional range and drawing from the new music qualities that fit his musical personality. The son of guitarist John McLean (who played guitar with Tiny Bradshaw), Jackie started on alto when he was 15. As a teenager he was friends with such neighbors as Bud...
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Alto Madness, Jackie McLean
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  • 4,99 €
  • Generi: Jazz, Musica, Hard bop
  • Pubblicato: 03/05/1957

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