Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da The Very Best Of di Roy Brown, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

The Very Best Of

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Recensione album

With his gospel-inflected vocals, full of melismatic swoops and sighs, and a penchant for speeded-up jump blues songs with strong sax lines, Roy Brown created the very template for early rock & roll in the late '40s and early '50s. His first single, an easy, natural reading of "Good Rockin' Tonight" on DeLuxe Records (which Wynonie Harris turned into a huge hit with a cover version) is arguably the first true rock & roll record, and although Brown influenced countless singers, including Little Richard, James Brown, Fats Domino, and many others, he is little known today. This fine collection includes "Good Rockin' Tonight" and its flip side, "Lollipop Mama," both issued by DeLuxe in 1947. DeLuxe was then purchased by Cincinnati-based King Records, which continued to issue sides from Brown under the DeLuxe imprint until 1952, when his records were released officially on King. Brown left for an unsuccessful stint with Imperial Records in 1955, returning to King in 1959 to record "Good Lookin' and Foxy Too," his last work for the Federal/King label family. Everything from the DeLuxe/King years is here, and it is wonderful and indispensable stuff, making this the perfect starter collection. Highlights include the loose-as-a-goose saxophone raver "Boogie at Midnight," "Cadillac Baby" (Chuck Berry, anyone?), the gorgeous "Sweet Peach," "Big Town," and the quasi-experimental "Mr. Hound Dog's in Town," a sweetly atmospheric rocker that jettisons the horn section for some nice jazz guitar work from Bill Jennings. Brown wrote nearly all of his material, and the nascent roots of rock & roll are clearly outlined in his songs. That he is so little known to the public at large is a complete shame. The Rhino collection Good Rockin' Tonight is another nice place to start to get a taste of this marvelous musician, but The Very Best of Roy Brown has half a dozen more tracks, and although Brown recorded for other labels after he left King, his certainty seemed to suffer, and the absolutely essential stuff is here.


Nato(a): 10 settembre 1925, New Orleans, LA

Genere: Blues

Anni di attività: '40s, '50s, '60s, '70s, '80s

When you draw up a short list of the R&B pioneers who exerted a primary influence on the development of rock & roll, respectfully place singer Roy Brown's name near its very top. His seminal 1947 DeLuxe Records waxing of "Good Rockin' Tonight" was immediately ridden to the peak of the R&B charts by shouter Wynonie Harris and subsequently covered by Elvis Presley, Ricky Nelson, Jerry Lee Lewis, and many more early rock icons (even Pat Boone). In addition, Brown's melismatical pleading,...
Bio completa