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Lynn Teeter Flower

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Recensione album

The words "Lynn Teeter Flower" won't mean much to anyone who wasn't a part of Maria Taylor's formative years in Birmingham, AL, but they have a way of imparting a sense of what the artist's sophomore disc sounds like — pretty, charmingly off-kilter, this side of eccentric. Unlike 11:11, Taylor's great debut disc, Lynn Teeter Flower, named for a onetime family friend, follows its own carefully considered path. Where the first album leaned hard on the jittery Bright Eyes sound, the second charts a course through sparer but still pillowy sounding territory. In ten songs (the eleventh is more a late-coming interlude than a song — it unspools a child's sing-songy tribute to "Lynn Flower"), Taylor lays out tales of sadness, self-doubt and elusive love that seem hand-dunked in humanity — see "My Own Fault" and "Smile and Wave" for the best examples. Throughout, a cutback on shimmery electronic effects results in a lived-in sound; there's a shabby chic-ness to these songs, and also a believability. Taylor's voice is part Elizabeth Mitchell and part Sarah McLachlan, minus the syrup. Like the name "Lynn Teeter Flower," it issues from somewhere plain and true and captivates fully.


Nato(a): 21 maggio 1976, Birmingham, AL

Genere: Alternativa

Anni di attività: '00s, '10s

Maria Taylor brought her warm, casual vocals to several projects — most notably Azure Ray, a dreamy pop duo that featured Taylor and longtime partner Orenda Fink — before launching her own career as a solo singer/songwriter. Born in 1976 in Birmingham, Alabama, she got her start at age 15 as part of the Birmingham duo Little Red Rocket, a pop/rock group that garnered comparisons to Belly and Veruca Salt. After releasing 1997's Who Did You Pay and 2000's It's in the Sound as part of the...
Bio completa
Lynn Teeter Flower, Maria Taylor
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