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Recensione album

The first of clarinetist John Carter's five-part series in which he musically depicts the history of black Americans is one of the strongest. For the only set on Black Saint (the following chapters were released by Gramavision), Carter utilizes a notable octet which also includes cornetist Bobby Bradford, flutist James Newton, Charles Owens on soprano, oboe and clarinet, bassist Roberto Miranda, the veteran Red Callender on tuba, drummer William Jeffrey, and Luis Peralta on percussion. The five originals pay tribute to life in Africa a few centuries ago, mixing together folk melodies with very advanced improvising; Newton and Callender in particular really excel in this setting. Highly recommended for open-eared listeners.


Nato(a): 24 settembre 1929, Fort Worth, TX

Genere: Country

Anni di attività: '60s, '70s, '80s, '90s

John Carter was one of the very few free jazz players to concentrate exclusively on clarinet, and one of not very many to place an emphasis on the music's composed elements. Carter studied alto saxophone and clarinet early in his career. He played with fellow Fort Worth native Ornette Coleman in the late '40s. In 1949, he received his bachelor's degree from Lincoln University in Jefferson City, MO. In 1956, he earned a master's degree from the University of Colorado. He taught in Fort Worth Public...
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Dauwhe, John Carter
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