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Menace to Society

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Recensione album

Lizzy Borden's second studio album, following the live The Murderess Metal Road Show by only a few months, is the band's career high point. A nice balance between the energetic but cliché-ridden pop-metal of its debut and the undistinguished Poison ripoffs of its later albums, Menace to Society drops the dopey Spinal Tap-like lyrics of the debut in favor of a less cartoony worldview, and singer Lizzy Borden's vocals are considerably more self-assured and less shrill. The tempos are slower, but they never slog down into the mush of so many other metal bands. The best tracks, like the Queensrÿche-like "Ursa Minor," show a greater sense of subtlety and dynamics than before, and Jim Faraci's spacious but not too glossy production shows the group off better. It's still not a great creative leap — like many of the L.A. hair metal bands, Lizzy Borden was more about the look and the lifestyle than the music — but Menace to Society is the one album where Lizzy Borden seems to be pushing itself to develop as a band.

Biografie

Formato(a): 1983, Los Angeles, CA

Genere: Rock

Anni di attività: '80s, '90s, '00s, '10s

In the wake of Mötley Crüe's meteoric rise to superstardom in 1983 on the strength of their now classic album Shout at the Devil, a countless amount of other similarly styled theatrical metal bands cropped up in the Los Angeles heavy metal community, including Lizzy Borden. Basically an '80s update of Alice Cooper (with some Iron Maiden-esque riffs mixed into the melting pot), the group built a substantial regional following on the West Coast with an over-the-top stageshow, but failed to break through...
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Menace to Society, Lizzy Borden
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