Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da Dukey Treats di George Duke, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

Dukey Treats

George Duke

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Recensione album

On Dukey Treats, George Duke returns to the big FONK of the late '70s and early '80s on this set for Heads Up. In truth, it's a bit of a surprise given the sheer laid-back tone of 2006's In a Mellow Tone, which was a piano trio date, but then, Duke hasn't been predictable for some time. What is interesting is that this return to the music that made him a commercial superstar and a platinum-selling artist coincides with a look back at his early fusion catalog by Universal in Japan, Europe, and the United States. In 2008 there have been two separate releases of Feel — an elegant Japanese one designed for export by SPV and a bargain-priced edition in Verve's Originals series. In addition, MPS in Germany has released My Soul: The Complete MPS Fusion Recordings. But Dukey Treats isn't a fusion record. Instead, it's a funk and slick uptown soul outing. Duke surrounds himself with friends old and new on this set, including Sheila E. on percussion and backing vocals, a full horn section (including Michael "Patches" Stewart on trumpet and saxophonist Everette Harp), Jef Lee Johnson on guitars, and vocalists DeeDee Foster, Josie James, and Lynn Davis, as well as guest appearances by Leon "Ndugu" Chancler, Vinnie Colaiuta on drums, and Wah Wah Watson, among others. The music walks an interesting line between backbone-slipping, hip-wriggling funk jams reminiscent of not only Duke's early experiments with the form, but also of Don Blackman's and George Clinton's — and modern, silky rich, velvety sophisticated soul.

The title track is a great example with killer bass work by Byron Miller (who steals the show right from the groove) and nifty accompanying synth and clavinet bass by Duke. The album opener, "Everyday Hero," is a basic hard jazz funk chant, with smoking horn work and with tough bass by Michael Manson. Duke's Rhodes and clavinet shape the front of the tune while a chorus of vocalists uses the few words as another rhythmic element. (In his solo, Duke even nods to his time spent with Frank Zappa in one of his codas.) Elsewhere, such as on "I Tried to Tell You," the horns introduce a shimmering uptown ballad underscored by Duke's acoustic piano and synth strings. The soulful thang comes floating down to the listener via the twinned overdubbed electric guitars of Johnson and the oh-so-smooth vocals of James, Foster, and James Gilstrap. Another of these late-night ballads is "Listen Baby," with a shockingly solid vocal performance by Duke (they were never his strong point) trying to do his best Marvin Gaye. "A Fonk Tail" (sic) segues into the title track, and together they are so reminiscent of the Clinton P-Funk thang that they might as well be a tribute — but they jam. Jazz fusion does make one entry on this set in "Images of Us." Duke plays a smoking Rhodes solo and synths it up, along with a four-piece horn section, rolling breaks by Ron Bruner, Jr., Manson's bass, and Johnson's guitar working the intricate changes. They turn in a knotty, groove-laden performance. Dukey Treats is a mixed bag, but it works well. It's the brightest and most enjoyable (as in "fun") record Duke has done in at least a decade, and scatalogical cover references aside (you can't mistake the title "Dukey Treats" with the image of a box of chocolates and Duke holding a keytar-shaped one in his fingers for anything else), this set is a winner.

Recensioni clienti


Si sente la differenza tra la musica commerciale, e questo tipo di musica!!! La musica è divertirsi ed emozionare!!
bellissimo album...


Nato(a): 12 gennaio 1946, San Rafael, CA

Genere: Jazz

Anni di attività: '60s, '70s, '80s, '90s, '00s, '10s

George Duke was an accomplished keyboardist, producer, arranger, bandleader, and composer. He was successful in both popular music and jazz, and straddled both sides of that aisle for most of his career. Duke grew up in Marin City, California, and in high school played in his first jazz group. His early influences were Miles Davis, Les McCann, and Cal Tjader, all of whom played a role in the diversity of his composing, playing, and arranging. After graduating from high school, he attended the San...
Bio completa
Dukey Treats, George Duke
Vedi in iTunes

Valutazione dei clienti

Non abbiamo ricevuto abbastanza valutazioni per visualizzare una media per quanto riguarda questo album.