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Monolith of Inhumanity

Cattle Decapitation

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Recensione album

California death-grinders Cattle Decapitation will never be accused of subtlety, but there are moments on the typically grotesque Monolith of Inhumanity, their seventh long-player, that are unabashedly melodic. The band's penchant for setting off relentless explosions of BPM shrapnel, while vocalist Travis Ryan swallows the microphone and uses his rib cage for a reverb tank, remains steadfast, but the occasional clean vocal in the mix, as heard on the exhilarating "Living, Breathing Piece of Defecating Meat," adds a new vintage black metal patina to the group's signature Carcass/Pig Destroyer-informed attack. Elsewhere, the brooding "The Monolith" engages with its slow-burn Fields of the Nephilim-esque build and bleak spoken word outro, "Projectile Ovulation" (the second best title after the aforementioned "Defecating Meat") is a grindcore drum classic, and epic closer "Kingdom of Tyrants," with its sludgy, anthemic midsection, offers up a montage of all of the band's filthy strengths, before slithering back into the pestilence from which it came.

Biografie

Formato(a): 1996, San Diego, CA

Genere: Rock

Anni di attività: '00s, '10s

Over the course of their existence, the San Diego-based Cattle Decapitation have transformed from a stripped-down gore-grind side project of the arty hardcore/grindcore band the Locust to a full-fledged death metal band of their own, undergoing a confusing maze of lineup changes in the process. The association with the Locust formed much of the original basis for CD's popularity in hardcore circles, which was unusual for a band that growled out the type of disturbing, gore-oriented lyrics usually...
Bio completa
Monolith of Inhumanity, Cattle Decapitation
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