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Infinite Flowers

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Recensione album

In 2003, Japanese electronic steel pan artist Yoshio Machida produced his third album and called it Infinite Flowers. The second release for Machida's amorfon label, it featured musical collaborators Tetsuro Yasunaga (co-founder of the electro-acoustic ensemble Minamo) and guitarist Fourcolor (Keiichi Sugimoto). Machida, who operates steel pan, steel guitar, and Max/MSP electronics, uses silence and sound in a skilled and sensitive manner that is commensurate with his innovative achievements in what he calls photobatik. His highly evolved poetic sensibilities and a free application of the principles he employs as a visual artist greatly enhance this botanically inspired set of audio-realizations. Specifically, he sought to introduce a sound environment created by "partials of sound assembling to form the whole texture." "Namaqua," presented in four movements, is named after South Africa's Namaqua National Park, a world-renowned wildflower habitat located some 495 km north of Capetown. "¡Hana Mambo!" is a joyous processional laced with gnomic vocal intrusions. Combined organic metallic percussion and ethereal/eccentric electronics result in pleasantly trippy music of great imaginative depth.

Biografia

Nato(a): 1967, Japan

Genere: Elettronica

Anni di attività: '00s

Born in Japan in 1967 and currently based in Tokyo, Yoshio Machida describes himself as a trans-boundary sound and visual artist. He studied music and minimalist and cinematic arts at the Tama Art University, where his mentors were Kuniharu Akiyama, Sakumi Hagiwara, Kishio Suga, and Yoshiaki Touno. Beginning in 1988 he spent 16 years traveling extensively throughout the world making field recordings, many of which would subsequently appear in his electro-acoustic recordings. During the '90s he expanded...
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Infinite Flowers, Yoshio Machida
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