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Smokin' At the Half Note

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Recensione album

Smokin' at the Half Note is essential listening for anyone who wants to hear why Wes Montgomery's dynamic live shows were considered the pinnacle of his brilliant and incredibly influential guitar playing. Pat Metheny calls this "the absolute greatest jazz guitar album ever made," and with performances of this caliber ("Unit 7" boasts one of the greatest guitar solos ever recorded), his statement is easily validated. Montgomery never played with more drive and confidence, and he's supported every step of the way by a genuinely smokin' Wynton Kelly Trio. [In 1998, Verve reissued the complete show on disc two of Impressions: The Verve Jazz Sides, although the scrambled track order and some nonessential cuts didn't diminish the appeal of the original album. Smokin' at the Half Note appeared again in 2005, this time with six additional tracks left off the original.]

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wes montgomery

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Biografia

Nato(a): 06 marzo 1923, Indianapolis, IN

Genere: Jazz

Anni di attività: '40s, '50s, '60s

Wes Montgomery was one of the great jazz guitarists, a natural extension of Charlie Christian, whose appealing use of octaves became influential and his trademark. He achieved great commercial success during his last few years, only to die prematurely. It had taken Wes a long time to become an overnight success. He started to teach himself guitar in 1943 (using his thumb rather than a pick) and toured with Lionel Hampton during 1948-1950; he can be heard on a few broadcasts from the period. But...
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Smokin' At the Half Note, Wes Montgomery
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  • 8,99 €
  • Generi: Jazz, Musica, Hard bop
  • Pubblicato: 1965

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