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The Best of Teo Macero

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Recensione album

This CD is not so much "The Best of Teo Macero" as it is "The Nearly Complete Teo Macero." With the exception of his conventional quintet date for Prestige in 1957 and one or two isolated tracks, this reissue has all of Macero's pre-1983 recordings as a leader, tenor saxophonist, and composer. Much of the music is essentially contemporary classical originals with jazz musicians sometimes playing the parts and usually getting a little space to improvise. Macero's tenor resembles Warne Marsh a bit. Much of the music will strike some as weird, others as an innovative precursor of Third Stream jazz. Although bassist Charles Mingus and altoist Lee Konitz are on a few tracks, some of the arrangements are overly pretentious and a bit dull, and it is an inexcusable omission that the dates are not listed. This rather esoteric CD is strictly for open-eared modern classical listeners.


Nato(a): 30 ottobre 1925, Glens Falls, NY

Genere: Jazz

Anni di attività: '50s, '60s, '70s, '80s, '90s, '00s

Teo Macero is best-known for being a busy jazz producer at Columbia from 1957 until the late '80s, most noticeably for producing Miles Davis' records. However, he has also been an occasional tenor saxophonist who has been involved in some adventurous sessions. After serving in the Navy, Macero came to New York in 1948 where he attended Juilliard until he graduated in 1953. That year, he became a member of Charles Mingus' Jazz Composer's Workshop. He made several records with Mingus during 1953-1955,...
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The Best of Teo Macero, Teo Macero
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