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The Cry

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Recensione album

Saxophonist Lacy provides listeners with an engaging, lyrical selection of material. Featured here is Lacy's long-time collaborator acoustic bassist Jean-Jacques Avenel; each offering lengthy periods of soloing. Fluid and stunning, Avenel migrates over the expanse of his instrument's ebony fingerboard conjuring compelling and commanding melodies with effortless virtuosity. An entirely different face of Lacy, this is the man at his experimental best. His wife, Irene Aebi, joins on vocals. As much as the fragmented and angular musical lines, Aebi's theatric and often spoken delivery gives this music its art jazz quality. Added instrumentation is more saxophones, bass clarinet, percussion, and especially the harpsichord.


Nato(a): 23 luglio 1934, New York, NY

Genere: Jazz

Anni di attività: '50s, '60s, '70s, '80s, '90s, '00s

One of the great soprano saxophonists of all time (ranking up there with Sidney Bechet and John Coltrane), Steve Lacy's career was fascinating to watch develop. He originally doubled on clarinet and soprano (dropping the former by the mid-'50s), inspired by Bechet, and played Dixieland in New York with Rex Stewart, Cecil Scott, Red Allen, and other older musicians during 1952-1955. He debuted on record in a modernized Dixieland format with Dick Sutton in 1954. However, Lacy soon jumped over several...
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