iTunes

Apertura di iTunes Store.Se iTunes non si apre, fai clic sull'icona dell'applicazione iTunes nel Dock o sul desktop di Windows.Progress Indicator
Apertura di iBooks Store in corsoSe iBooks non si apre, clicca sull'app iBooks nel Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

Non abbiamo trovato iTunes sul tuo computer. Per le anteprime e l'acquisto di musica da Trio & Quintet di Duke Jordan, installa iTunes adesso.

Hai già iTunes? Fai clic su Anche io ho iTunes! per aprirlo.

I Have iTunes Download gratuito
iTunes per Mac+PC

Trio & Quintet

Duke Jordan

Apri iTunes per visualizzare in anteprima, acquistare e scaricare musica.

Recensione album

The title of this 1955 Savoy release by pianist Duke Jordan succinctly points to the set's merits and shortcomings. The five trio performances with Art Blakey (drums) and Percy Heath (bass) work well. The five tracks from the same group augmented by Cecil Payne (baritone sax) and Eddie Bert (trombone) don't come up to the mark. For the trio tracks, Jordan's elegant, swinging bop style is the main attraction, with Blakey and Heath providing appropriately understated support. "They Can't Take That Away From Me" and "Night in Tunisia" are each given fresh reworkings. Jordan's upbeat "Forecast" and his meditative ballad "Sultry Eve" are strong originals. George Gershwin's "Summertime," unfortunately, gets an undistinguished, overly literal reading. On the quintet tracks the focus wavers. Jordan is too often relegated to conventional comping in the background. Blakey's playing occasionally becomes cluttered and Heath seems to lose interest. More problematic is the ineffective, bottom-heavy baritone sax/trombone combination. Payne's and Bert's parts generate little harmonic interest. The result is two horns doing no more than the work of one. As for the tunes, the pianist's "Flight to Jordan" and Payne's "Cu-ba" offer respectable solos, while "Scotch Blues" is an awkward attempt by Jordan to fuse a Scottish folk dance theme with straight-ahead blues. The blues passages are fine, but the scotch doesn't mix. There are some good moments on this CD, particularly from Jordan and Payne. Both the pianist and the baritone saxophonist, however, can be heard to better advantage on Payne's 1956 set, Patterns of Jazz, where Jordan, with Tommy Potter (bass) and Art Taylor (drums), shines in a consistently integrated and cohesive performance with Payne.

Biografie

Nato(a): 01 aprile 1922, New York, NY

Genere: Jazz

Anni di attività: '40s, '50s, '60s, '70s, '80s, '90s

Although he had a long career, Duke Jordan will always be best known for being pianist with Charlie Parker's classic 1947 quintet. A little earlier, he worked with the Savoy Sultans, Coleman Hawkins, and the Roy Eldridge big band (1946). After his year with Parker (his piano introductions to such songs as "Embraceable You" were classic), Jordan worked with the Sonny Stitt/Gene Ammons quintet (1950-1951) and Stan Getz (1949 and 1952-1953). He started recording as a leader in 1954, debuting his most...
Bio completa
Trio & Quintet, Duke Jordan
Vedi in iTunes

Valutazione dei clienti

Non abbiamo ricevuto abbastanza valutazioni per visualizzare una media per quanto riguarda questo album.

Precursori

Fans

Contemporanei