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Under the Sign of Cain

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Recensione album

Miguel Bose recorded Under the Sign of Cain in London, using not only British producers and musicians but also taking advantage of the city's rich multicultural musical heritage. The result was a polished, very well-crafted album of Europop with many world music influences — not just the flamenco of Bose's native Spain, but also Arabic and African music as well. "They're Only Words" or the title track would fit in with any of Bryan Ferry's solo albums. "Home," the album's centerpiece track, mixes African singing with lovely pop melodies and Bose's best singing. Throughout the album, Bose shows himself to be a polished, elegant singer with a warm, supple voice and without any overbearing mannerisms that mar too many other pop balladeers. Some of the tracks are a bit too slight to stand up, and others go on for a bit too long, but for the most part, this is a fine introduction to Bose's work. ~ Victor W. Valdivia, Rovi

Biografie

Nato(a): 03 aprile 1956, Panama City, Panama

Genere: Pop in lingua spagnola

Anni di attività: '70s, '80s, '90s, '00s, '10s

Miguel Bosé has been a force in Latin music in a career that has spanned over 20 albums, roles in more than 35 films, his own television show, and work as a theatre director. With Picasso and Ernest Hemingway among his family friends, Bosé grew up in the arts, constantly travelling from his Panama homeland to Milan, New York, London, Paris, and Madrid. He made his film...
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Under the Sign of Cain, Miguel Bosé
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