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Teeth - EP

Little Women

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Recensione album

The four-song debut EP by Brooklyn-based noise jazz ensemble Little Women stakes out territory somewhere between Last Exit and Orthrelm, with strong echoes of the Flying Luttenbachers. Two saxophonists — Darius Jones on alto and Travis LaPlante on tenor — are joined by guitarist Ben Greenberg and drummer Jason Nazary, all working together to create music of great intensity, but with a surprising beauty at its core. The disc begins with a jagged and assaultive track with guitar and drums flailing in post-metal abandon, but for the first half of "Teeth II," Jones and LaPlante conduct an unaccompanied duo that's very much in the mode of late-'60s free jazz. Then the other two come rampaging back in, and the whole thing explodes again. This track leads seamlessly into the next, which is based on a repeated ensemble riff — the members of Little Women are clearly aware of how well-focused, full-bore repetition has worked for both Albert Ayler and Slayer. The EP's concluding track, "Teeth IV," breaks down at its midpoint, and ends with three minutes of weird glossolalia-like chanting and shouting. This is highly disciplined, clearly thought-out music that carries an aura of frenzied abandon — an unexpected and uncommon combination.


Formato(a): Brooklyn, NY

Genere: Alternativa

Anni di attività: '00s

Brooklyn-based Little Women is an edgy jazz-influenced ensemble that mixes punk, prog rock, fusion, and noise rock elements into their own unique sound. Featuring the talents of guitarist Ben Greenberg, alto saxophonist Darius Jones, tenor saxophonist Travis Laplante, and...
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Teeth - EP, Little Women
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