11 episodi

ARCA's director Noah Charney and other academics retell some of the most riveting art thefts throughout history.
ARCA (Association for Research into Crimes against Art) is an interdisciplinary think tank/research group on contemporary issues in art crime. This international non-profit organization studies issues in art crime and cultural property protection, runs educational programs, and consults on art protection and recovery issues brought to them by police, governments, museums, places of worship, and other public institutions.

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    • Arte

ARCA's director Noah Charney and other academics retell some of the most riveting art thefts throughout history.
ARCA (Association for Research into Crimes against Art) is an interdisciplinary think tank/research group on contemporary issues in art crime. This international non-profit organization studies issues in art crime and cultural property protection, runs educational programs, and consults on art protection and recovery issues brought to them by police, governments, museums, places of worship, and other public institutions.

    Venice in Peril Fakes and Forgeries Lecture (Part II)

    Venice in Peril Fakes and Forgeries Lecture (Part II)

    This podcast features Part II of Noah Charney's "The World Wishes To Be Deceived: A Brief History of Art Forgery" delivered as a part of Venice in Peril's 2nd Exclusive Art Crime Lecture held on April 5, 2011 at the Royal Geographical Society in London. In the lecture, Charney discusses the differences between fakes, forgeries, and copies as well as highlights a few of the most interesting cases from the past 500 years. Access the podcast at ARCA's iTunes page or by clicking this link.

    Venice in Peril Fakes and Forgeries Lecture (Part I)

    Venice in Peril Fakes and Forgeries Lecture (Part I)

    This podcast features Noah Charney's "The World Wishes To Be Deceived: A Brief History of Art Forgery" delivered as a part of Venice in Peril's 2nd Exclusive Art Crime Lecture held on April 5, 2011 at the Royal Geographical Society in London. In the lecture, Charney discusses the differences between fakes, forgeries, and copies as well as highlights a few of the most interesting cases from the past 500 years. Access the podcast at ARCA's iTunes page or by clicking this link. Come back for Part II next week!

    The Mona Lisa during WWII

    The Mona Lisa during WWII

    Was the Mona Lisa looted by the Nazis during WWII? Learn more about Altaussee salt mine in the Austrian Alps that contained hundreds of works of art looted by the Nazis, and whether or not the Louvre's enigmatic smile was among this infamous horde of art. Learn more about the Mona Lisa's adventures during WWII here, find it on iTunes, or click this post's title.

    Goya's Portrait of the Duke of Wellington and TV License Fees

    Goya's Portrait of the Duke of Wellington and TV License Fees

    On 20 October 2010, the UK Parliament extended free TV license fees for pensioners throughout 2017. Hear about how one pensioner in 1961 was so frustrated by TV license fees that he stole one of the nation's most prized possessions. The podcast can be accessed in a variety of ways including through iTunes, this post's title, and here.

    Venice in Peril at the RGS: Stealing the Mystic Lamb Part 2

    Venice in Peril at the RGS: Stealing the Mystic Lamb Part 2

    This is Part 2 of Noah Charney's lecture "Stealing the Mystic Lamb" hosted by the Venice in Peril fund at the Royal Geographic Society. The podcast can be accessed by clicking the title of this post or by clicking here.

    Venice in Peril at the RGS: Stealing the Mystic Lamb Part 1

    Venice in Peril at the RGS: Stealing the Mystic Lamb Part 1

    On October 1, 2009, the Venice in Peril Fund hosted a lecture by Noah Charney at the Royal Geographic Society. This is the first half of the lecture in which Charney describes the lengthy history of art theft and looting that has plagued Jan and Hubert Van Eyck's "Ghent Altarpiece." This podcast can be accessed by clicking on the title of this post, or by clicking here.

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