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Like Cats and Dogs

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Like Cats and Dogs is a somewhat puzzling but still masterful hodgepodge that pieces together roughly one-fourth of Catherine Wheel's load of B-sides, adding a few studio outtakes. Rather than continuing the band's upward scale into harder material, Cats and Dogs scales it back to showcase the atmospheric, somber side of the band. Oddly enough, the record all but ignores the blinding number of excellent Ferment-era extras, which, when put together, would make for a recording nearly as solid as their debut. Roughly half of the tracks come from Chrome's singles/EPs. The minimalism and immediacy of some of the tracks favorably bring to mind the last days of Talk Talk, most notably Laughing Stock. It's no small coincidence that Catherine Wheel have been working with Talk Talk's Tim Friese-Greene since their early days. The delicate "Girl Stand Still" is the House of Love's "Love in a Car" times two, finishing with a noisy climax. The band's walloping fireworks aren't completely forsaken, however. "High Heels" stomps and seethes, with Rob Dickinson sounding like a crazed self-doubter nearing the brink of losing it. "Tongue Twisted" weaves Dickinson and Brian Futter's guitars into a double helix of paranoia and claustrophobia. "Harder Than I Am," is one of their most jarring, soul-bearing songs, nailed with a beautiful sing-along chorus. Like Cats and Dogs may have frustrated many of the band's admirers who hadn't shelled out the cash for the band's numerous multi-format, limited edition singles, as this does nothing to appease the completist. It does expose some relatively hidden sides of one of the most range-roaming rock bands of the '90s.

バイオグラフィ

結成: 4月, 1990 Great Yarmouth, Norfolk, England

ジャンル: ロック

活動期間: '90s, '00s

By using their influences as a mere launching pad and consistently developing their many strengths, Catherine Wheel was able to outlast all of their early peers. With their initial singles and first album, the band from East Anglia fit snugly with the remainder of bands that the British press eventually labeled as shoegazers, a short-lived sub-scene of bands that were characterized by an inactive stage presence, loads of effects pedals, and buried vocals. However, the always tuneful Catherine Wheel...
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