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お使いのコンピュータで iTunes が見つかりません。 ザ・キュアー「Bestival Live 2011」をプレビュー、購入するには iTunes をダウンロードしてください。

すでに iTunes をお持ちの方は、「すでに iTunes を持っている」をクリックして iTunes を開いてください。

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Bestival Live 2011

ザ・キュアー

音楽をプレビュー、購入、ダウンロードするには iTunes を開いてください。

アルバムレビュー

The Cure could be found in a mix of holding pattern and seemingly constant activity in 2011, with an irregular series of world-wide performances of the band's first three albums and a slew of guest appearances and one-offs by Robert Smith on his own and with other performers standing in for either new or reissued albums. But there was also a one-off headlining performance at the Bestival in the U.K. that summer, resulting in the band's first official live album since the Show and Paris releases of 1993. Feeling more like a souvenir than anything else, it's above all a portrait of a band that has the knack of handling a career-spanning catalog down cold, something with both positive and negative sides to it. On the one hand, besides a thankfully clear mix that feels like a brisk soundboard recording, there's the treat of hearing a then-unique quartet lineup of Smith, Simon Gallup, and Jason Cooper matched with the then-recently returned Roger O'Donnell adding keyboards for the first time in some years. If it's not quite Seventeen Seconds all over again, performances of "Play for Today" and the inevitable "A Forest" do happily nod in that direction. Smith himself still sounds in astonishingly well-preserved voice, only occasionally stepping aside from some high notes while sounding as moodily powerful as ever on guitar — not to mention as half-understandable as ever on his occasional song introductions. On the other hand, Smith and company have been playing this kind of set for years upon years when it comes to general or festival audiences, emphasizing the big hits of the first 15 years of their career. Out of 32 songs, literally only three of them couldn't have appeared on either Show or Paris — happily one of them being the underrated "The Hungry Ghost" from 4:13 Dream — while the remainder of the selections leans much more toward the hits and singles than the album cuts, stalwarts like "Plainsong," "Push," and "Disintegration" aside. (Though the appearance of "The Caterpillar" is a fun surprise, having never been played for a full-on show by the band once since 1984.) Bestival Live 2011 is an understandably honest reflection of the Cure in the popular mind as their commercial high point recedes further into the past, but given Smith and the band's other contemporaneous activities, it's an incomplete portrait.

カスタマーレビュー

MUSICシーンの最重要バンド

まだ聴いたことのない人は、
死ぬまでに、聴くべき‼♪( ´θ`)ノ

曲が途中で無音に・・・

19 Endと20.Disintegration が途中から無音になってしまってました。
ダウンロードのドラブルでしょうか?
他にこういう人いるのかと思い書き込みます。

こういう時に再ダウンロードできないってのは問題ありますね。

アルバムは音質も良く買いですが、好きな曲が途中で切れるのは泣けてくる。

追記:
無音の曲だけしょうがないので再購入。結果ちゃんと聞けました。
ダウンロード中にwi-fiがかたまったのが原因か?

購入曲の再ダウンロードできるように強く希望。

伝記

結成: 1976 Crawley, England

ジャンル: オルタナティブ

活動期間: '70s, '80s, '90s, '00s, '10s

Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led through numerous incarnations by guitarist/vocalist Robert Smith (born April 21, 1959), the band became well-known for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music. At the outset, the Cure played jagged, edgy pop songs before slowly evolving into a more textured outfit. As one of the...
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