iTunes

iTunes Store を開いています。iTunes が開かない場合は、Dock または Windows デスクトップで iTunes アイコンをクリックしてください。Progress Indicator
iBooks Store を開いています。iBooks が開かない場合は、Dock の iBooks App をクリックしてください。Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

お使いのコンピュータで iTunes が見つかりません。 Victoria Spivey「Victoria Spivey Vol. 4 1936-1937」をプレビュー、購入するには iTunes をダウンロードしてください。

すでに iTunes をお持ちの方は、「すでに iTunes を持っている」をクリックして iTunes を開いてください。

I Have iTunes 無料ダウンロード
Mac および PC 用 iTunes

Victoria Spivey Vol. 4 1936-1937

音楽をプレビュー、購入、ダウンロードするには iTunes を開いてください。

アルバムレビュー

Victoria Spivey is best remembered today for her recordings in the 1920s and for her work with her Spivey label in the '60s, but she also made a fairly extensive series of records from 1936-1937. The final of her four Document CDs has all of the latter except for a few titles included on Vol. 3. The 22 cuts include ten previously unreleased performances. Spivey is joined by a variety of Chicago-based musicians on four of the five sessions: either Lee Collins (who gets carried away in spots) or Sheiks on trumpet; sometimes the erratic clarinetist Arnett Nelson; and a rhythm section with either Dorothy Scott, Black Bob, J.H. Shayne, Aletha Robinson or Addie "Sweet Pease" Spivey on piano. (Big Bill Broonzy plays guitar on one session.) In addition, Spivey is heard on a New York date with five musicians who were with the Luis Russell Orchestra (which had become Louis Armstrong's backup group): pianist Russell, trumpeter Henry "Red" Allen, clarinetist Albert Nicholas, altoist Charlie Holmes, and bassist Pops Foster. Throughout, Spivey's voice is in fine form with the music ranging from good-time to Chicago-style blues. Highlights include "Mr. Freddie Blues," "Trouble in Mind," "Detroit Moan," "I Ain't Gonna Let You See My Santa Claus," "One Hour Mama," and "Good Cabbage." Although not as essential as her earlier work, this CD is worth picking up. It seems strange that Spivey (who up to the late '30s managed to stay fairly up to date) did not hook up with a swinging big band; instead, she would not record again until 1961.

バイオグラフィ

誕生: 1906年10月15日 Houston, TX

ジャンル: ブルース

活動期間: '30s, '40s, '50s

Victoria Spivey was one of the more influential blues women simply because she was around long enough to influence legions of younger women and men who rediscovered blues music during the mid-'60s U.S. blues revival, which had been brought about by British blues bands as well as their American counterparts, like Paul Butterfield and Elvin Bishop. Spivey could do it all: she wrote songs, sang them well, and accompanied herself on piano and organ, and occasionally ukulele. Spivey began her recording...
詳しいバイオグラフィー
Victoria Spivey Vol. 4 1936-1937, Victoria Spivey
iTunes で見る

カスタマー評価

この アルバム の平均評価を出すための十分なデータがありません。

影響を受けたアーティスト

このアーティストに影響を受けた作品/アーティスト

同世代のアーティスト