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Between her well-documented determination to retail full control of her music and the plain-spoken willfulness of her best-known songs, Lucinda Williams is practically the working definition of a strong woman you do not want to mess with, but she reveals a very different side of her musical personality on her sixth album, Essence. Subtle and often stark, Essence is an unusually quiet and frequently downbeat set that depicts a fragile emotional vulnerability which rarely makes its presence felt in Williams' music; there's an unadorned longing in songs like "Blue" and "Lonely Girls" that's new and deeply affecting, and the leaf-in-the-breeze quaver of Williams' voice on "I Envy the Wind" is as heart-rending as anything she's ever committed to tape. But while a blue mood dominates Essence, this isn't an album about the blue funk of heartbreak, but a chronicle of the search for transcendence over sorrow in our lives, as her characters look for a path out of isolation ("Out of Touch"), try to find answers through faith ("Get Right With God"), or reconcile love with the desires of the flesh ("Essence"). As a songwriter, Williams has long shown a knack for charting the human heart and mind with intelligence and economy, and Essence finds her at the peak of her form; the delicacy of this music does not speak of weakness, but of the passion and bravery it takes to bare one's soul. And while Williams has gained a certain infamy for her obsessive perfectionism in the studio, the quality of her work speaks for the wisdom of her decision-making process, and Essence proves how well she understands the art of recording; producing in collaboration with Charlie Sexton (Tom Tucker and Bo Ramsey also contributed), Essence sounds full and rich even in its quietest moments, and her sweet-and-sour voice blends with the arrangements with subtle perfection. Those hoping for another dose of the bluesy roots rock of Car Wheels on a Gravel Road may be disappointed, but if you want to take a deep and compelling look into the heart and soul of a major artist, then you owe it to yourself to hear Essence.



ルシンダ ウィリアムスを知ったは、10年以上前の米国のニュース雑誌での紹介。人前に出るのが嫌で何かの授賞式をすっぽかした記事だった。 それからCar wheels on gravel roadを皮切りに優れたアルバムを何枚もリリースし、今では米国オルタナカントリーの女王とまで呼ばれる存在に。 このアルバムEssenceは、Car wheels〜の次の作品。前作で垣間みた躍動感が無くなり、内省的な仕上がりとなっている。 歌詞もシンプルな言葉の積み重ねで、カントリーミュージックといいながらもオルタナとしか言いようのない世界が展開されている。 だからこそ、余計にルシンダの歌声が胸に沁みてきます。 お勧めトラックは5 Out of touchと7 Essence。特にタイトル曲のEssenceは、"I am waiting ---"と何度も繰り返され、切ない気持ちが伝わってきます。


誕生: 1953年1月26日 Lake Charles, LA

ジャンル: ロック

活動期間: '70s, '80s, '90s, '00s, '10s

The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. Part of the reason was her legendary perfectionism: Williams released records only infrequently, often taking years to hone both the material and the recordings thereof. Plus, her early catalog was issued on smaller labels that agreed...