iTunes Store を開いています。iTunes が開かない場合は、Dock または Windows デスクトップで iTunes アイコンをクリックしてください。Progress Indicator
iBooks Store を開いています。iBooks が開かない場合は、Dock の iBooks App をクリックしてください。Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

お使いのコンピュータで iTunes が見つかりません。 スキッド・ロウ「Skid Row」をプレビュー、購入するには iTunes をダウンロードしてください。

すでに iTunes をお持ちの方は、「すでに iTunes を持っている」をクリックして iTunes を開いてください。

I Have iTunes 無料ダウンロード
Mac および PC 用 iTunes

音楽をプレビュー、購入、ダウンロードするには iTunes を開いてください。


The material on Skid Row is mostly typical pop-metal fluff, but since Skid Row was one of the hardest bands to find commercial success during the hair metal fad, the songs sound angrier and more aggressive than the lyrics and hooks might indicate. Part of this is due simply to the musical talent in the band, and part of it is due to vocalist Sebastian Bach; his tendency to oversing actually gives some much-needed nasty attitude to most of the songs, and when the music does match those sentiments (i.e., "Youth Gone Wild"), the results fulfill, rather than merely hint at, Skid Row's potential. But the melodies and songwriting are pretty consistent throughout the album, even if they aren't as close to true heavy metal as they sound. The hit power ballads "18 and Life" and "I Remember You" are musically generic, but Bach's over the top delivery makes them guilty pleasures as well.


結成: 1986 New Jersey

ジャンル: ロック

活動期間: '80s, '90s, '00s, '10s

Skid Row were one of the very last hair metal bands to hit the mainstream before grunge took over in the early '90s. While the band's self-titled debut employed standard pop-metal riffs and generic lyrics (albeit to great commercial success), 1991's Slave to the Grind and 1995's Subhuman Race broke away from the pop-metal mold with uncharacteristically hard, thrashy guitars and unique songwriting techniques. Though personal differences and changing trends would eventually tear the core lineup apart...