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That Is Why You're Overweight

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This LP gets off to a terrific start with "It's All Right Now," a fascinating funk loop with a repeated chorus and a solid groove. Then the restless Harris goes all over the place, with soul vocals, comedy vocals (the gluttonous title track would be an enduring part of his act), straight jazz on acoustic piano, a single extravagant production ("Tryin' Ain't Dyin'"), with tenor sax, orchestra and chorus that sounds like his large-scale '60s outings, a bold Coltrane-ish modal piece for big band ("Exempt"), and ultimately just himself on rapid bebop tenor. Some of this stuff hits, some of it misses — in the case of bassist Bradley Bobo's embarrassing lead vocal on "Live Again," badly — all of it suggests that Harris' curiosity and impatience had him flailing around in search of a direction. ~ Richard S. Ginell, Rovi


誕生: 1934年10月20日 Chicago, IL

ジャンル: ジャズ

活動期間: '60s, '70s, '80s, '90s

Long underrated in the pantheon of jazz greats, Eddie Harris was an eclectic and imaginative saxophonist whose career was marked by a hearty appetite for experimentation. For quite some time, he was far more popular with audiences than with critics, many of whom denigrated him for his more commercially successful ventures. Harris' tastes ranged across the spectrum of black music, not all of which was deemed acceptable by jazz purists. He had the chops to handle technically demanding bop, and the...


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