iTunes

iTunes Store を開いています。iTunes が開かない場合は、Dock または Windows デスクトップで iTunes アイコンをクリックしてください。Progress Indicator
iBooks Store を開いています。iBooks が開かない場合は、Dock の iBooks App をクリックしてください。Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

お使いのコンピュータで iTunes が見つかりません。 Basement Jaxx「Scars (Bonus Track Version)」をプレビュー、購入するには iTunes をダウンロードしてください。

すでに iTunes をお持ちの方は、「すでに iTunes を持っている」をクリックして iTunes を開いてください。

I Have iTunes 無料ダウンロード
Mac および PC 用 iTunes

Scars (Bonus Track Version)

音楽をプレビュー、購入、ダウンロードするには iTunes を開いてください。

アルバムレビュー

Previewed by "Twerk" — their booty-disco, "Maniac"-quoting team-up with Yo Majesty — plus the uplifting perfection of the five-star track "Raindrops" — sung by member Felix Buxton with Auto-Tune on the assist — Scars is an obvious return-to-form effort for Basement Jaxx, reigning in the big conceptual ambition displayed on Crazy Itch Radio for better or worse. Getting back to everyday business sounds like sweet relief on tracks like the good-timing "Twerk," and while this is the lunk-headed party theme you'd expect from such a pairing, two of the other marquee-worthy collaborations far exceed expectations. First up is the hot-stepping, Santigold cut "Saga," which suggests that a shared love of the Clash and the Specials was discussed ahead of time. More stunning is the Yoko Ono team-up "Day of the Sunflowers (We March On)" which takes a "Walking on Thin Ice" strategy, supporting Yoko Ono's stark poetry reading with a razor sharp, no wave dance track. The wistful "My Turn" with Lightspeed Champion is like that grand, danceable dreamer that shows up towards the end of the best Pet Shop Boys albums, leaving only the Amp Fiddler effort, "A Possibility," up for debate, since adding new, rather average lyrics to Santo & Johnny's classic instrumental "Sleepwalk" seems an unispired move from this innovative crew. Still, it hardly breaks the album, and there's nothing here you could write off as true filler, but that perfect flow that made their masterpieces so thrilling is missing, plus the increased number of doubtful or regretful numbers referenced by the album's title seems to come from a totally different song cycle than the busy, rump-shaking stunners. Even if this is a bumpier ride than expected, Scars is a worthwhile throwback to the freak attitude that kicked off their career over a decade earlier. Anyone excited by the idea will find plenty to love.

カスタマーレビュー

究極のPOP

よくジャンルレス化って言われてますが、R&Bやヒップホップ、レゲエ、ロック、ダンスミュージック、、、を超えるっていうのは、こういう音楽なんだと思います。

これだけ、ぶっ飛んだ音楽をポップスに収められるって凄すぎます。

やばすぎ

 やばすぎ、  以上です

まだ良くなるのかよ

なんかあったのか?というくらい磨きがかかってます。 また成長したな、などと言っては失礼ですが。

バイオグラフィ

結成: 1994 London, England

ジャンル: ダンス

活動期間: '90s, '00s, '10s

From their '90s singles to the more ambitious projects they tackled in the decades to come, Basement Jaxx were one of the U.K.'s most respected — and enjoyable — progressive house acts. While virtually everything South London production duo Simon Ratcliffe and Felix Buxton released was rooted in house, they mutated several styles (R&B, U.K. garage, ragga, Latin jazz, ambient techno) with an unmatched restlessness. They constantly shuffled...
詳しいバイオグラフィー