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Alive In America

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When Donald Fagen and Walter Becker re-formed Steely Dan in 1994, they didn't put out a new album. They undertook a tour of sports arenas, their first tour since the days of Countdown to Ecstasy. Since Steely Dan became stars after they retired from performing, many of their dedicated fans never got a chance to see the group in concert. Given those circumstances, maybe the uniformly positive reviews of the tour were predictable. But as Alive in America proves, the shows weren't earth-shaking. Certainly they were fun — there's no denying it's a thrill to hear these songs in a live setting, both for fans and for Becker and Fagen themselves — but essentially they were exercises in nostalgia. Alive in America is enjoyable, but it offers no new insight into Steely Dan as performers, or Becker and Fagen as songwriters. It's a gas while it lasts, but it doesn't leave any lasting memories.

バイオグラフィ

結成: 1972 Los Angeles, CA

ジャンル: ロック

活動期間: '70s, '80s, '90s, '00s, '10s

Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions. Becker and Fagen never truly enjoyed rock — with their ironic humor and cryptic lyrics, their eclectic body of work shows some debt to Bob Dylan — preferring jazz, traditional...
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