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The Colour in Anything

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James Blake’s third album of nocturnal 21st century soul is, simply put, exquisite. The Colour in Anything is also deeply romantic, full of weightless melodic magic and despite its indulgent length, feels freewheeling and creatively ecstatic. Perhaps this can be attributed to its guerilla release and co-conspirators. Opening his studio doors to Frank Ocean, Justin Vernon and Rick Rubin has liberated Blake; “Timeless” and “I Hope My Life (1-800 mix)” judder down sinister paths, “Choose Me” is exultant and the Vernon hook-up “I Need a Forest Fire” glacially beautiful.

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Born: September 25, 1988 in Enfield, London, England

Genre: Electronic

Years Active: '00s, '10s

Influenced by the likes of D'Angelo and Stevie Wonder along with Burial and Mount Kimbie, London-based producer, singer, and songwriter James Blake first gave the world a taste of his quirky, R&B-sampling strain of dubstep in 2009 when his Air & Lack Thereof 12" appeared on the Hemlock label. Blake received quite the endorsement when the heralded Soul Jazz label picked the track up for their Steppas' Delight 2 compilation that same year. Blake raised his profile every few months during 2010 -- something...
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The Colour in Anything, James Blake
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