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The Colour in Anything

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iTunes Review

James Blake’s third album of nocturnal 21st century soul is, simply put, exquisite. The Colour in Anything is also deeply romantic, full of weightless melodic magic and despite its indulgent length, feels freewheeling and creatively ecstatic. Perhaps this can be attributed to its guerilla release and co-conspirators. Opening his studio doors to Frank Ocean, Justin Vernon and Rick Rubin has liberated Blake; “Timeless” and “I Hope My Life (1-800 mix)” judder down sinister paths, “Choose Me” is exultant and the Vernon hook-up “I Need a Forest Fire” glacially beautiful.

Customer Reviews

何作聞いても苦手だ。でも好きだ。

この人の音、適度な厚みで聞いていて心地よいのだけれど、油断するとつい気が散ってしまうのです。そして、気づくと何曲も終わっているっていうパターンで、俺みたいな気が散りやすいリスナーには完走の難しい作品ばかり出すのですが、嫌いにならないのです。冷たいようで温かい。奥の方には確実に熱いソウルがあるのですが、表面をうまく隠しているんですよね。だから、真剣に耳を傾けないとソウルが届かない。実は気難しい音楽なのかな。でも、嫌いになれません。ていうよりも、気を付けないと中毒になってしまいそうです。

Biography

Born: September 25, 1988 in Enfield, London, England

Genre: Electronic

Years Active: '00s, '10s

Influenced by the likes of D'Angelo and Stevie Wonder along with Burial and Mount Kimbie, London-based producer, singer, and songwriter James Blake first gave the world a taste of his quirky, R&B-sampling strain of dubstep in 2009 when his Air & Lack Thereof 12" appeared on the Hemlock label. Blake received quite the endorsement when the heralded Soul Jazz label picked the track up for their Steppas' Delight 2 compilation that same year. Blake raised his profile every few months during 2010 -- something...
Full Bio
The Colour in Anything, James Blake
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