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The Best of the First 10 Years

エルヴィス・コステロ

音楽をプレビュー、購入、ダウンロードするには iTunes を開いてください。

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Six years after the commencement of a major Elvis Costello reissue campaign at Rhino, his catalog transferred over to Universal, which had been releasing new Elvis music since 1998's Painted from Memory. Like every one of his previous two big catalog shifts — a campaign with Rykodisc/Demon in 1994, a jump to Rhino in 2001 — the 2007 series is preceded by a new hits collection, this time The Best of Elvis Costello: The First 10 Years, a 22-track collection of highlights that's pretty much exactly what it says it is. It is quite similar to the last previous single-disc collection, the 1994 Ryko/Demon set The Very Best of Elvis Costello and the Attractions, which also ran 22 tracks, 19 of which also appear on The First 10 Years. The three omissions — "Watch Your Step," "New Amsterdam," and "Love Field" — will not be missed by anybody looking for a new Costello comp in 2007, particularly because all three substitutions are better choices for the casual man: "New Lace Sleeves," "Almost Blue," and "(The Angels Wanna Wear My) Red Shoes," which bizarrely wasn't on the 1994 set. With these three songs rubbing shoulders with "Alison," "Watching the Detectives," "Pump It Up," "Oliver's Army," "(What's So Funny 'Bout) Peace, Love & Understanding," and all the other usual suspects, The Best of Elvis Costello: The First 10 Years winds up being the best single-disc summary and introduction to Costello's prime years.

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ビンテージ。

佐野元春、ミスチルも憧れるコステロ先生初期のベストアルバムです。 英国人らしい小気味良い折衷サウンド。古くならない、聴くほどに味わいが増していく。一聴だけだと普通のポップソングに聴こえるが、繰り返し聴くと幾重にも仕掛けがあるように感じてしまう。

伝記

誕生: 1954年8月25日 Paddington, London, England

ジャンル: ロック

活動期間: '70s, '80s, '90s, '00s, '10s

When Elvis Costello's first record was released in 1977, his bristling cynicism and anger linked him with the punk and new wave explosion. A cursory listen to My Aim Is True proves that the main connection that Costello had with the punks was his unbridled passion; he tore through rock's back pages taking whatever he wanted, as well as borrowing from country, Tin Pan Alley pop, reggae, and many other musical genres. Over his career, that musical eclecticism distinguished his records as much as his...
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