70 Songs, 2 Hours, 38 Minutes

EDITORS’ NOTES

A rich, spatial sound is just one sterling attribute of this recording of Bach’s more popular Passion. Werner Güra makes for a splendid Evangelist, while the choral work—split between the Berlin RIAS Chamber Chorus and Berlin State And Cathedral Choir—is heavenly. Though it wouldn’t be a René Jacobs interpretation if there weren’t a couple of idiosyncrasies (including the choice of lute accompaniment during “Komm, Süßes Kreuz”), the conductor ably manages the difficult task of letting certain sections breathe while keeping the whole work moving with undeniable propulsion.

EDITORS’ NOTES

A rich, spatial sound is just one sterling attribute of this recording of Bach’s more popular Passion. Werner Güra makes for a splendid Evangelist, while the choral work—split between the Berlin RIAS Chamber Chorus and Berlin State And Cathedral Choir—is heavenly. Though it wouldn’t be a René Jacobs interpretation if there weren’t a couple of idiosyncrasies (including the choice of lute accompaniment during “Komm, Süßes Kreuz”), the conductor ably manages the difficult task of letting certain sections breathe while keeping the whole work moving with undeniable propulsion.

TITLE TIME
8:31
0:39
0:50
2:57
0:45
4:03
0:33
3:53
1:48
0:55
2:45
1:22
3:17
0:58
1:09
0:52
1:11
1:28
1:48
4:21
0:40
0:52
3:56
1:11
1:08
2:13
4:03
2:05
5:24
3:10
0:51
0:55
0:56
1:07
3:06
1:54
0:58
2:09
5:44
1:09
1:34
2:51
1:53
1:13
2:17
0:54
0:15
0:56
3:41
1:52
0:49
5:25
0:57
2:29
0:42
0:29
5:27
3:19
1:24
3:23
2:04
1:19
2:16
1:52
5:59
2:15
1:58
4:56
0:32
5:53

About René Jacobs

René Jacobs began his career as a countertenor and quickly earned the reputation as one of the finest of his time. But he gradually turned to conducting and since the turn of the new century has rarely sung in concert. As a countertenor Jacobs championed a string of forgotten Baroque composers on his recordings: Antonio Cesti, Sigismondo d'India, Luca Marenzio, Pierre Guédron, Michel Lambert, and others. But he also sang, in both concert and opera, many standards by Monteverdi, J.S. Bach, Handel, Telemann, and Mozart. As a conductor, he has led many performances of sacred music by J.S. Bach, Buxtehude, and others, and has focused heavily on the operas of Monteverdi, Handel, and Mozart. He has conducted purely orchestral music as well, notably symphonies by Haydn and Mozart. Many of Jacobs' 100-plus recordings are available on Harmonia Mundi, Deutsche Harmonia Mundi, Berlin Classics, Capriccio, and Arthaus Musik.

René Jacobs was born in Ghent, Belgium, on October 30, 1946. As a child he was a chorister at St. Bavo's Cathedral in Ghent. After obtaining a degree in philology from Ghent University, he studied voice with Louis Devos and Lucie Frateur. Later on he took master classes with countertenor Alfred Deller. Already active on the concert stage, Jacobs made his operatic debut in Amsterdam in 1974, singing Clerio in Francesco Cavalli's Erismena. In 1977 Jacobs founded Concerto Vocale, an ensemble he would appear with in many concerts, operatic productions and recordings.

By the 1980s Jacobs was steeped in conducting commitments, though he continued to sing, often in the same concerts. He was also editing performing editions of operas, as he famously did for the 1989 performance he led at the Opera de Montpellier of Monteverdi's L'incoronazione di Poppea.

In the 1990s Jacobs established his credentials as one of the finest conductors on record of Mozart's operas. His 1998 Così fan tutte, for Harmonia Mundi, became one of the label's best selling recordings. But it wasn't just his Mozart that drew attention: Jacobs' performances of Haydn's Il mondo della luna at the 2001 Innsbruck Festival and at the Staatsoper unter den Linden the following year drew lavish critical praise. In 2004 Jacobs received the Cannes Classical Award for his recording of Handel's Rinaldo and in 2005 he was awarded the prestigious Diapason d'Or for his recording of Haydn's The Seasons. Among Jacobs' later recordings are his 2009 Idomeneo and 2010 Die Zauberflöte, on Harmonia Mundi.

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