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Everyone Is Everybody Else (Bonus Tracks)

Barclay James Harvest

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Album Review

The group's first album for Polydor is several steps above their EMI work. Most of the psychedelic-era influences are softened here and broadened, and transmuted into something heavier and more serious, even as the Beatlesque harmonies remain intact. The guitars sound real heavy, almost larger than life here, while the swelling Mellotron and synthesizer sounds give the music the feel of an orchestra. By this time, the group had also mastered the Pink Floyd technique of playing pretty tunes really slowly, which made them sound incredibly profound (it's actually a technique that goes back, in different forms, to Gustav Mahler and Anton Bruckner). John Lees gives superb, virtuoso performances on lead guitar on "Paper Wings" and "For No One." Les Holroyd's gorgeous "Poor Boy Blues" sounded more like Crosby, Stills & Nash than CSN did in those days, and is almost worth the price of the CD.

Biography

Formed: September, 1966 in Oldham, England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Barclay James Harvest was, for many years, one of the most hard luck outfits in progressive rock. A quartet of solid rock musicians — John Lees, guitar, vocals; Les Holroyd, bass, vocals; Stuart "Wooly" Wolstenholme, keyboards, vocals; and Mel Pritchard, drums — with a knack for writing hook-laden songs built on pretty melodies, they harmonized like the Beatles and wrote extended songs with more of a beat than the Moody Blues. They were signed to EMI at the same time as Pink Floyd, and...
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Everyone Is Everybody Else (Bonus Tracks), Barclay James Harvest
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