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Mael Intuition - Best of Sparks, 1974-76

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Album Review

A well-chosen, 20-track compilation derived from the group's three best albums (Kimono My House, Propaganda, and Indiscreet), released during their brief, productive tenure with Island Records. Producers Muff Winwood (for the first two, harder-rocking albums) and Tony Visconti (the more varied and elaborately arranged Indiscreet) both provide the Mael brothers with solid, sympathetic settings for their witty, rapid-fire lyrics and manic delivery. Songs range from the aggressive riff of "At Home, at Work, at Play" (a precursor to the heavier sound of the 1976 album, Big Beat) to the uncanny Andrews Sisters evocation "Looks, Looks, Looks." Russell Mael's quavery falsetto is an acquired taste, and his vocal affectations can try the listener's nerves on prolonged exposure. Also, their tendency to deliver a few hundred lyrics in as many seconds makes interpretation a challenge, but their perverse humor rewards the effort. This is probably all the Sparks the casual fan needs. ~ James A. Gardner, Rovi


Formed: 1970 in Los Angeles, CA

Genre: Pop

Years Active: '70s, '80s, '90s, '00s, '10s

Sparks is the vehicle for the skewed pop smarts and wise-guy wordplay of brothers Ron and Russell Mael, Los Angeles natives who spent their childhood modeling young men's apparel for mail-order catalogs. While attending UCLA in 1970, the Maels formed their first group, Halfnelson, which featured songwriter Ron on keyboards and Russell as lead vocalist; the band was rounded out by another pair of brothers, guitarist Earle and bassist Jim Mankey, and drummer Harley Feinstein. Halfnelson soon came...
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Mael Intuition - Best of Sparks, 1974-76, Sparks
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