Miami Vampin by Jim Jones

15 Songs, 51 Minutes

	TITLE		TIME
	Intro		1:58
	Pull Up with 100 N*iggaz (feat. Zoey Dollaz, YD & Ball Greezy)		4:19
	We Don't Play That (feat. YD, Jim Jones, Ball Greezy & Trav) Neek Bucks		3:31
	On the Set (feat. Jim Jones & YD) Zoey Dollaz		4:04
	White Girl (feat. Trav, Ball Greezy, Zoey Dollaz & Dyfl)		4:39
	Keep It 100 (feat. Zoey Dollaz, Ball Greezy, YD, V Stuck, Black City Vick & Dyfl)		4:45
	On God (Interlude) Ball Greezy		1:16
	On Fleek (feat. Ball Greezy)		3:14
	38 (feat. YD & Dyfl) V Stuck		3:03
	2 Door (feat. Jim Jones, Ball Greezy & Iceberg) Tory Lanez		4:44
	Swimming in Money (feat. Ball Greezy & Jim Jones) Black City Vick		3:36
	Free Me YD		1:50
	Shoot Em' in the Head (feat. Jim Jones) Ball Greezy		3:08
	Feel My Pain (feat. Jim Jones) [Bonus Track] Ball Greezy		3:30
	Dope Boy S**t (Bonus Track)		4:01

About Jim Jones

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of A&R at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). The 2006 album Hustler's P.O.M.E. (Product of My Environment) took him out of the background and into the spotlight thanks to the massive hit "We Fly High." The track made it to number five on the Billboard Hot 100, topped their Hot Rap Tracks chart, and was adopted by the New York Giants football team as their unofficial anthem. By the end of the year a remix of "We Fly High" landed on Jones' holiday album A Dipset Christmas. The album Harlem's American Gangster appeared in 2008, just as rumors of Jones' exit from Dipset began to spread. His other release that year, M.O.B.: The Album, introduced his Byrd Gang crew. In 2010, his “Salute” single featured a reunited Dipset, with both Cam'ron and Juelz Santana making guest appearances. The track landed on his Capo album a year later. ~ Andy Kellman