Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
iTunes

iTunes is the world's easiest way to organise and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Unforeseen Events by David Behrman, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Unforeseen Events

David Behrman

Open iTunes to preview, buy and download music.

Album Review

Two 1991 suites — "Unforeseen Events" (in four parts) and "Refractive Light" (in three parts) — make up this beautiful CD of interactive music. In "Unforeseen Events," instrumentalists trigger computer programs that in turn control sound-making electronic modules, which the acoustic instrumentalist freely responds to. The first version of "Unforeseen Events" was created with composer/performer Ben Neill in mind, playing his invention the mutantrumpet — a brass instrument with three separate bells. In the first section, "View Finder," the computer responds to the trumpet with immediate and slightly delayed chords that are also slightly shifted in pitch and timbre over time. Part Two is "Fishing for Complements," a trio in which the interchange is noted by a "listener" at a keyboard who enters changes into the computer. In Part Three, "Witch Grass," when the soloist pauses, the sustained chords begin to gradually slip away from their tonal centers until the performer begins to play again. In the last part, entitled "Canyon," single notes trigger a shimmering chord that fades away in pitch-shifted trails into a seemingly borderless canyon depth. "Unforeseen Events II" (1998) is the latest version of the software program that was made for the artistry of Jon Gibson on flutes and soprano saxophone and "Blue" Gene Tyranny on MIDI-keyboard. In the three sections of "Refractive Light," aharmonic changes occur as "deflections" off of dying sustained tones. "Harbinger" is a kind of introduction that begins with delicate bell patterns and sliding chords. "Crisscrossed Eights" is similar in tonal structure and also has bell-like sounds mixed with sliding chords, koto-like arpeggios and strumming, and high string-like swells, all in very elastic, "breathing" quasi-random rhythms. The third section, "Ein Glaesele Warems" ("A Little Glass of Warmth"), features sounds "...made with intervals and timbres meant to create a feeling of remoteness from the modern world." ~ "Blue" Gene Tyranny, Rovi

Biography

Born: 16 August 1937 in Salzburg, Austria

Genre: Electronic

Years Active: '50s, '60s, '70s, '80s, '90s

Holds degrees from Harvard and Columbia. Produced Music of Our Time series for Columbia Records in 1960s. Co-founder Sonic Arts Union. Tours with Merce Cunningham Dance Company in 1970s and 1990s. Co-director Center for Contemporary Music, Mills College (1975-80). Also taught at Ohio State Univ. and CAL Arts, designed children's computer games at Children's Television Workshop. Toured under friendship grants from the Japan-United States Friendship Commission and the DAAD (Berlin). Many sound installations,...
Full bio
Unforeseen Events, David Behrman
View In iTunes

Customer Ratings

We have not received enough ratings to display an average for this album.

Influencers

Followers

Contemporaries