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Forevernevermore - EP

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Album Review

Complain all you want about this release by Kenny Dixon, Jr. as Moodymann being only one-sided. It may not be big on quantity, but it compensates in terms of quality. The ten-minute track moves rather quickly with an up-tempo underlying rhythm composed of several percussive sounds that integrate a funky guitar riff into its loop. Every 30 seconds or so, the music comes to a halt, sounding as if someone has stopped the record with their hand. At other moments within the song, the sound of human voices in a bar or restaurant appear momentarily before drifting away. At another moment about three and a half minutes in, the song reaches a calm lull before rearranging itself. The rhythm gets reconstructed with a bongo sound while the guitar gets replaced by a piano. This second phase of the song has a faster pace and a stronger sense of rhythm, perfect for increasing the energy on a dancefloor.

Biography

Born: Detroit, MI

Genre: Dance

Years Active: '90s, '00s, '10s

Kenny Dixon, Jr.'s outspoken views on the state of black techno and his aversion to publicity put him in a league occupied by few Detroit producers other than Underground Resistance supremo "Mad" Mike Banks, though his tech-house productions as Moodymann are soulful in a league few could expect. Dixon began producing early in the '90s, and inaugurated his own KDJ Records in 1994 with the Moody Trax EP. Following singles like "The Day We Lost the Soul" and "I Can't Kick This Feelin When It Hits" proved...
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Forevernevermore - EP, Moodymann
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