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Jordan: The Comeback

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Album Review

Jordan: The Comeback is Prefab Sprout's largely successful attempt to embrace the breadth of popular music; wisely reuniting with producer Thomas Dolby, Paddy McAloon freely indulges his myriad ambitions and obsessions to weave a dense, finely textured tapestry closer in spirit and construction to a lavish Broadway musical than to the conventional rock concept LP. Over the course of no less than 19 tracks, McAloon chases his twin preoccupations of religion and celebrity, creating a loose thematic canvas perfect for his expanding musical palette; quickly dispensing with common pop idioms, the album moves from tracks like the samba-styled "Carnival 2000" to the self-explanatory "Jesse James Symphony" and its companion piece "Jesse James Bolero" with remarkable dexterity. Dolby's atmospheric production lends an even greater visual dimension to the songs, which — with their tightly constructed narratives and occasional spoken-word passages — seem almost destined to someday reach the stage; indeed, Jordan: The Comeback is like an original cast recording minus the actors, or a rock opera without the silliness and bombast — a truly inspired work.

Biography

Formed: 1977 in Newcastle, England

Genre: Pop

Years Active: '70s, '80s, '90s, '00s, '10s

One of the most beloved British pop bands of the '80s and '90s, Prefab Sprout have had a minimum of chart success in the United States, where they're all but unknown outside of their devoted cult following, but singer/songwriter Paddy McAloon is regularly hailed as one of the great songwriters of his era. Critics regularly compare McAloon favorably to Elvis Costello, Paul McCartney, and even Cole...
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