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Whisper House

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Album Review

A dalliance with Broadway reinvigorated Duncan Sheik, winning him a Tony and opening up the new artistic avenues he pursues on Whisper House, his first album since the award-winning production of Spring Awakening and his 2006 LP, White Limousine. Whisper House falls somewhere between those two extremes, being a dramatic piece that plays a lot like a classic '70s singer/songwriter album, especially when the opener, "It's Better to Be Dead," unfolds quietly yet dramatically in the tradition of early Elton John. Whisper House rarely gets this grand, either in its production or its intent. It's an intimate affair, with the many duets with singer/songwriter Holly Brook playing like overheard conversations, but as carefully considered as the narrative is, what makes Whisper House work is that it functions as a pop album. It can be broken up into small, digestible pieces — the ten tunes are either delicate folk numbers or surprisingly sprightly pop tunes — and it can be appreciated as a concise collection of catchy straightforward songs that build upon each other. Indeed, among Sheik's albums this ranks among the best, showcasing his subtle skills and sense of quiet adventure in ways his sometimes fussy earlier records never did.


Born: 18 November 1969 in Montclair, NJ

Genre: Pop

Years Active: '90s, '00s, '10s

Alternative singer/songwriter Duncan Sheik premiered in mid-1996 when Atlantic released his self-titled debut album. With an appearance on the soundtrack to the TV hit ER, Sheik became somewhat well known in alternative circles. Born in 1970, Duncan Sheik grew up in South Carolina but spent many of his early years living with his grandparents in New Jersey. Inspired to play the piano while there, he later moved to electric guitar and performed in bands throughout high school. While studying at Brown...
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Whisper House, Duncan Sheik
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