10 Songs, 51 Minutes

EDITORS’ NOTES

Though Joanne Shaw Taylor was in her early 20s when she recorded her debut, the music sounds like the work of a blues guitarist who has spent decades honing her craft in every smoky club between Memphis and London. She certainly channels the soulful strength of her key influences (Stevie Ray Vaughan and Jimi Hendrix). But just as impressive is her knack for restraint. “Heavy Heart” and “Just Another Word” are powerful precisely because Shaw’s playing is so understated and elegant.

EDITORS’ NOTES

Though Joanne Shaw Taylor was in her early 20s when she recorded her debut, the music sounds like the work of a blues guitarist who has spent decades honing her craft in every smoky club between Memphis and London. She certainly channels the soulful strength of her key influences (Stevie Ray Vaughan and Jimi Hendrix). But just as impressive is her knack for restraint. “Heavy Heart” and “Just Another Word” are powerful precisely because Shaw’s playing is so understated and elegant.

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4:07
5:22
3:35
5:51
4:27
4:40
5:21
5:08
8:17

About Joanne Shaw Taylor

Joanne Shaw Taylor embodies all the elements of modern blues, even if she sings with a distinctively British accent. Given her extraordinary dexterity as a guitarist and well-developed vocal chops, Taylor was already a sensation on the blues festival circuit in both the U.S. and Great Britain while only in her mid-twenties. She caught the blues bug as a young teenager growing up in the Birmingham area. She heard guitarists Stevie Ray Vaughan, Albert Collins, and Jimi Hendrix and knew then that was the kind of music she wanted to pursue, eventually full-time.

Producer Dave Stewart (of Eurythmics fame) said of Taylor, several years previously when he first heard her: "I have played with all sorts of blues musicians all over the world. I even made a film, Deep Blues, where I went to Mississippi and recorded with some legendary players such as R.L. Burnside and Jesse Mae Hemphill. Last year I heard something I thought I would never hear: a British white girl playing blues guitar so deep and passionately it made the hairs on the back of my neck stand on end!" (Taylor was just 16 years old at that time.) Stewart was so impressed with her playing and musicianship that he asked her to accompany his supergroup, D.U.P., in touring Europe in 2002. She was also offered a record deal but the company went bankrupt.

Seven years later, in May 2009 and with Taylor 23 years old, she released her stunning debut album, White Sugar, for Ruf Records, a German label with U.S. offices and a strong U.S. presence. She followed it up with extended U.S. touring, including shows with pianist and singer/songwriter Candye Kane. For her debut, Taylor went to the producer she most admired, Jim Gaines, who also produced good albums by her favorite blues players, including Jonny Lang, Luther Allison, Stevie Ray Vaughan, and Carlos Santana. Accompanying her on White Sugar were veteran Memphis recording session players Steve Potts on drums and Dave Smith on bass.

Taylor returned to the studio a year later, once again with Jim Gaines, to record her sophomore release, 2010's Diamonds in the Dirt. In 2012, Taylor joined Annie Lennox on-stage to perform for Queen Elizabeth II's Diamond Jubilee in front of Buckingham Palace. She followed up the performance with the release of her third album, Almost Always Never. The live album, Songs from the Road, appeared in 2013, followed by The Dirty Truth the following year. Taylor returned in 2016 with her fifth album, Wild.

~ Richard Skelly

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