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Wolfmother (Bonus Version)

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Album Review

With their eponymous four-track EP, Australia's Wolfmother join likeminded acts such as Witchcraft and Dead Meadow in a quest to re-create the embryonic heavy metal of the late '60s and early '70s as if Black Sabbath, Blue Cheer and Sir Lord Baltimore were their peers — not old enough to be their grandfathers. Powerfully fuzzy guitar riffs, serpentine basslines, thumping percussion, echoed, warbling vocals, and even the occasional Hammond organ provide the fundamental building blocks for the youthful trio's convincingly Jurassic creations; and the impressive opening tandem of "Dimension" (complete with occasionally off-key, Ozzy-aping screams) and "Woman" carry off the illusion so authentically, that not even wizened old-timers are likely to uncover the ruse. Next number "Apple Tree" diverges from the basic template just a tad by interspersing a jolt of psychedelic garage rock into its otherwise familiarly ponderous sections (reminiscent of Pentagram), and the grand finale intended by "The White Unicorn" is largely achieved thanks to surprisingly pretty, chiming guitar melodies à la Led Zeppelin. In sum, Wolfmother aren't claiming any measure of originality here — they're just offering a form of time travel.


Formed: 2000 in Sydney, New South Wales, Australi

Genre: Rock

Years Active: '00s, '10s

Pledging allegiance to thick, throttling fuzz guitars, primal psychedelia, and thundering rhythms, the 21st century rock revivalists Wolfmother split the difference between the classic sludge of Black Sabbath and the retro-garage rock of the White Stripes. Led by guitarist/vocalist Andrew Stockdale, the power trio came storming out of Sydney, Australia in 2006 with a self-titled debut that generated international hits in the form of "Woman" and "Joker & the Thief." Although they had some stumbles...
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