iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Big City by Merle Haggard, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Big City

Merle Haggard

Open iTunes to preview, buy and download music.

Album Review

When Merle Haggard & the Strangers, along with producer Lewis Talley, entered a recording studio in July of 1981 to make his debut album for Epic — after leaving his long association with MCA — he had no idea that just 48 hours later he and the band would leave, having recorded enough material for two albums, Big City and its follow-up, Going Where the Lonely Go. Big City is a collection of songs focused on the themes of freedom from urban life. Haggard wrote or co-wrote almost every song on the record — except "Texas Fiddle Song," written by his then-wife, Leona William — and the free abandon the band plays with here stands in sharp contrast to the material featured on the latter album. Big City, both the cut and the album, revisits the seemingly eternal themes in Haggard's best work — the plight of the honest, decent working man amid the squalor, complication, and contradiction of urban life. Besides the title cut, there are bona fide Haggard classics here — and some that aren't but should be. The obvious ones were part of his shows in his fourth decade as a bona fide country legend: "My Favorite Memory" (one of the most beautifully sung and arranged moments of his long career), "Stop the World and Let Me Off," and "Are the Good Times Really Over for Good (I Wish a Buck Was Still Silver)" (an elegiac tome that reveals with resignation and disappointment — as well as some enlightenment — what was spouted off anthemically in "The Fightin' Side of Me" or "Rainbow Stew" nearly 20 years earlier). For those who see Haggard as an unthinking, reactionary redneck, this song — with its waltz time and striking metaphors — is a prayer for a restoration not only to simplicity, but for those who make decisions to be held accountable for them: "I wish coke was still cola and a joint was a bad place to be/Back before Nixon lied to us all on TV," along with the complexities of his other side: "I wish a man could still work and still wood/I wish a girl could still cook and still would." And while most of the song is an elegy, it ends with Haggard pronouncing hope: "Stop rollin' downhill like a snowball that's headed for hell/Stand up for the flag and the Liberty Bell/Let's make a Ford and a Chevy last ten years like they should/The best of the free life is still yet to come/And the good times ain't over for good." The album closes with a Hag stunner, one of his most beautiful and jazzy love songs, "I Always Get Lucky With You." The CD contains two bonus tracks, an unreleased duet version of "I Won't Give up My Train," with Roger Miller (a solo version appeared on Going Where the Lonely Go), and the uncredited "Call Me," a simple ballad with an odd percussion signature that was best left on the cutting-room floor. In all, Big City and its companion were staggering, auspicious beginnings for Epic, and stand among his finest — and most lasting — recordings.

Biography

Born: 06 April 1937 in Bakersfield, CA

Genre: Country

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

As a performer and a songwriter, Merle Haggard was the most important country artist to emerge in the 1960s, and he became one of the leading figures of the Bakersfield country scene in the '60s. While his music remained hardcore country, he pushed the boundaries of the music quite far. Like his idol, Bob Wills, his music was a melting pot that drew from all forms of traditional American music — country, jazz, blues, and folk — and in the process, developed a distinctive style of his...
Full bio